https://www.lasanskyart.com/news daily 0.75 2024-10-04 https://www.lasanskyart.com/news/mauricio-lasanskys-nazi-drawings-donated-to-national-gallery-of-art-in-washington monthly 0.5 2024-10-04 https://www.lasanskyart.com/news/national-gallery-of-art-receives-gift-of-the-nazi-drawings-by-mauricio-lasansky monthly 0.5 2024-10-04 https://www.lasanskyart.com/news/envisioning-evil-exhibition-mia monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/phillip-lasansky monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/blog-post-title-three-nj9lg monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/blog-post-title-four-7ndn3 monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/jbwn0qcrx5hi47om565ehx9t6923xb monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/cvfk2wehb7jwjpg92ep4k2aaycqlv1 monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/fsbpstjuofn15rzj9bhvz83a7ti41b monthly 0.5 2024-06-12 https://www.lasanskyart.com/news/34iwf9wsg0vewnb573asfmckyfjhdw monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/1hq3oguuu5jeqac23javg22dbabyr3 monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/ng8o9lantix85gjbhkm32vpephq2wf monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/84x4ndueyxh2siky2yqqugv05m22og monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/d0ww2miso3nibksm2f5twdogxk5q2d monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/nz2h9zoexvf93ksc6611v9s6ve4n82 monthly 0.5 2024-06-12 https://www.lasanskyart.com/news/wbjcbtq0djag75x5cjcw4aowpp2ee8 monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/r0jccd3rf3bcs4gtdykogz3in3vsv0 monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/mauricio-lasansky-profiled-as-one-of-50-famous-iowa-city-residents monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/fbt8zr7f5f85mt5a8ko96y1xa21hcg monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/240xuvof0uivnbxfz9n9yqun8ffait monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/mg3dy0q779i46eyo5heggiiqif29ou monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/printmaker-mauricio-lasansky-focuses-on-his-art monthly 0.5 2024-06-12 https://www.lasanskyart.com/news/iowa-honors-local-printmaker monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/governor-to-honor-renowned-art-prof monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/faririg4qo9mawf34t5p9hnn0qu0kp monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/printmaker-offers-strong-direction monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/cr-architecture-draws-high-praise monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/lasanskys-printmaking-virtuosity-on-display-in-purchase monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/what-teaching-taught-mauricio-lasansky monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/4jzletyub5126rw71zgdmo3mtiw980 monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/lasansky-gives-cr-230-works monthly 0.5 2024-06-06 https://www.lasanskyart.com/news/category/University+of+Iowa monthly 0.5 https://www.lasanskyart.com/news/category/Obituaries monthly 0.5 https://www.lasanskyart.com/news/category/Articles monthly 0.5 https://www.lasanskyart.com/news/category/Documentaries monthly 0.5 https://www.lasanskyart.com/news/category/Exhibitions monthly 0.5 https://www.lasanskyart.com/news/category/Interviews monthly 0.5 https://www.lasanskyart.com/news/category/Exhibition monthly 0.5 https://www.lasanskyart.com/news/tag/Articles monthly 0.5 https://www.lasanskyart.com/news/tag/Exhibitions monthly 0.5 https://www.lasanskyart.com/home daily 1.0 2026-02-20 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618497259178-6XJGK9GR6YAVBQL5L519/20140301_Trade-151_012-2.jpg Mauricio Lasansky, Artist https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694583486-2PQT0LQ193RL7MCB6DX4/20140228_Trade+151_0046.jpg Mauricio Lasansky, Artist https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694644871-IC85FNH781UNZSZEGHDR/Aro+Ha_0428.jpg Mauricio Lasansky, Artist https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/07a07c5e-1444-47dd-afc4-c218997e750e/Self-Portrait+1945.jpeg https://www.lasanskyart.com/catalogue-of-prints daily 0.75 2024-10-21 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1715898530528-J5D92C99EOYBQ6UEMAQL/Velorio+1933.jpeg Complete Catalogue of Prints 1933 - 1942 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/4da624b4-7fa0-4a29-9a81-c39bec93b029/08-Luis+Felipe+%281963%29-Mauricio-Lasansky.jpg Complete Catalogue of Prints 1960 - 1969 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1715898528090-KVVK70LWUQ1QGP053JIF/Doma+1944.jpeg Complete Catalogue of Prints 1943 - 1945 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0b5a1228-186f-4b35-a0e0-05c598539112/04-Quetzalcoatl+%281972%29-Mauricio-Lasansky.jpg Complete Catalogue of Prints 1970 - 1979 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/7ab5216d-165a-44a5-94c7-3eb9b1df06ce/23-Michelangelo+%281988%29-Mauricio-Lasansky.jpg Complete Catalogue of Prints 1980 - 1989 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/677abba6-4e89-4f15-9fcc-5637522edb03/11-My+Boy+%281947%29-Mauricio-Lasansky.jpg Complete Catalogue of Prints 1946 - 1949 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/618337e2-b87f-4264-9a93-424a9ed1839b/05-Little+Mennonite+Girl+%281991%29-Mauricio-Lasansky.jpg Complete Catalogue of Prints 1990 - 1997 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/c34e7e63-2c78-464f-9fe4-74a04f52f5dd/08-Self+Portrait+%281957%29-Mauricio-Lasansky.jpg Complete Catalogue of Prints 1950 - 1959 https://www.lasanskyart.com/prints-1943-1945 daily 0.75 2024-06-10 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/14f4f9c5-1442-4069-a1c9-f5ee1a441b23/01-Caballo+%281944%29-Mauricio-Lasansky.jpg Prints 1943-1945 Caballo (1944) Edition: 25 13.37 x 5.50 in. | 34.0 x 13.4 cm. Engraving. One plate: copper plate, printed in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/7ff9b944-690e-402c-8040-f43a13408a0d/02-Doma+%281944%29-Mauricio-Lasansky.jpg Prints 1943-1945 Doma (1944) Edition: 25 (first state) 19.82 x 13.87 in. | 50.4 x 35.3 cm. Engraving. One plate: copper plate, printed in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/26f27f6b-6369-4520-bd17-57d764a11e55/03-Caballos+en+Celo+%281944%29-Mauricio-Lasansky.jpg Prints 1943-1945 Caballos en Celo (1944) Edition: 50 13.87 x 19.57 in. | 35.3 x 49.7 cm. Engraving. One plate: copper plate, printed in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/c58cd54c-df99-4d05-9958-18af0d41208d/04-El+Cid+%281944%29-Mauricio-Lasansky.jpg Prints 1943-1945 El Cid (1944) Edition: 15 27.75 x 21.32 in. | 70.5 x 54.1 cm. Lithograph: tusche drawing, impressed textures, spattering of tusche, and grease crayon. Stone destroyed: printed in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/d581f205-2974-4338-9f6e-54772706567f/05-Unknown-Mauricio-Lasansky.jpg Prints 1943-1945 Study 3 (1944) Edition: Unique impression Size: 11.87 x 11.75 in. | 30.1 x 29.9 cm. Intaglio: engraving, soft ground, aquatint, gouged-out white area, burnishing, scraping. One plate: plate printed twice, first in color, second in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/a45c3a94-c7ab-4b66-85d2-e384aaaf5ee0/06-Griffinage+%281944%29-Mauricio-Lasansky.jpg Prints 1943-1945 Griffinage (1944) Edition: 25 12.0 x 8.75 in. | 30.1 x 29.9 cm. Intaglio: engraving, soft ground, gouged-out white area, grease ground. Colors stenciled onto paper. One plate: one copper plate printed twice. First run printed with purplish-violet ink, second run printed in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/5d7b04f0-5b90-46f1-91f6-0c3d20aa09d8/07-Study+1+%281944%29-Mauricio-Lasansky.jpg Prints 1943-1945 Study 1 (1944 ca.) Edition: 1 Size unknown Intaglio: engraving, soft ground, gouged-out white areas, burnishing, scraping. One plate: printed once in black, copper plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1dbe1485-1ee1-4be9-b0b5-002d00ce9448/08-Study+2+%281944%29-Mauricio-Lasansky.jpg Prints 1943-1945 Study 2 (1944 ca.) Edition: 1 Size unknown Intaglio: engraving, soft ground, aquatint, gouged-out white areas, burnishing, scraping. One plate: printed once in black, copper plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/e8666696-16ab-4a58-aad9-e3dbdce9ee39/09-La+Mariposa+%28Object+N.1%29+%281944%29-Mauricio-Lasansky.jpg Prints 1943-1945 La Mariposa (1944) Edition: 50 4.93 x 7.93 in. | 12.5 x 20.1 cm. Intaglio: engraving, aquatint, soft ground, etching. One plate: one master plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/5cdc23e5-4e87-4891-b9a2-03a69e6a3366/11-La+Lagrima+%281945%29-Mauricio-Lasansky.jpg Prints 1943-1945 La Lagrima (1945) Edition: 50 8.87 x 11.87 in. | 22.6 x 30.3 cm. Intaglio: engraving, etching, aquatint, gouged-out white areas, scraping, burnishing. Two plates: one copper master plate, one color zinc alloy plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/5da5cedc-e273-4ac4-8cd5-93099bd14590/12-Apocalyptical+Space+%281945%29-Mauricio-Lasansky.jpg Prints 1943-1945 Apocalyptical Space (1945) Edition: 10 16.0 x 23.87 in. | 40.5 x 60.5 cm. Intaglio: engraving, soft ground, burnishing and scraping, touches of drypoint. Plate destroyed: one copper plate. Printed in black. (This impression dated 1944.) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/52b5ed61-af62-4392-af2b-da775ce9dca0/12-Sol+y+Luna+%281945%29-Mauricio-Lasansky.jpg Prints 1943-1945 Sol y Luna (1945) Edition: 25 (first state) 15.87 x 20.87 in. | 40.1 x 52.9 cm. Intaglio: engraving, gouged-out white areas, etching, soft ground, aquatint, scraping, burnishing. One plate: one copper plate, printed in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/20d9ce92-0d74-417c-94e9-3958de59a6e4/13-Bicycle+Riders+%281945%29-Mauricio-Lasansky.jpg Prints 1943-1945 Bicycle Riders (1945) Edition: 50 26.57 x 17.75 in. | 67.6 x 45.1 cm. Intaglio: etching. One plate: one copper plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/6069a05a-7756-49ce-87aa-f654dd6a7e60/14-Self-Portrait+%281945%29-Mauricio-Lasansky.jpg Prints 1943-1945 Self-Portrait (1945) Edition: 35 11.93 x 9.87 in. | 30.4 x 25.1 cm. Intaglio: engraving, signs of scraping, signs of burnishing. One plate: one brass plate, wide bevel; measurements taken from the exterior of the bevel. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/61669505-c711-4ae0-bff6-55eceb8493fd/15-Self-Portrait+%281945+-+1973%29-Mauricio-Lasansky.jpg Prints 1943-1945 Self-Portrait (1945) Edition: 70 (printed in 1974) 11.93 x 9.87 in. | 30.4 x 25.1 cm. Intaglio: engraving, signs of scraping, signs of burnishing. One plate: one brass plate, wide bevel; measurements taken from the exterior of the bevel. Printed in black on orange colored Canson Ingres paper. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1405a02f-d271-4270-84c0-159da9332790/16-Cain+%281945%29+state-Mauricio-Lasansky.jpg Prints 1943-1945 Cain (1945) Edition: 25 (first state) 24.87 x 16.0 in. | 60.7 x 40.6 cm. Intaglio: engraving, etching, soft ground, aquatint, gouged-out white areas. One plate: one copper plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/58d7120c-0d62-4738-a16f-b1e6c4155129/17-Cain+%281945%29-Mauricio-Lasansky.jpg Prints 1943-1945 Cain (1945) Edition: 70 (printed in 1974) 24.87 x 16.0 in. | 60.7 x 40.6 cm. Intaglio: engraving, etching, soft ground, aquatint, gouged-out white areas. One plate: one copper plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/ab0f5011-a22f-444d-a8a5-d44f6400c5e8/18-Object+II+%281945%29-Mauricio-Lasansky.jpg Prints 1943-1945 Object II (1945) Edition: 35 6.93 x 9.0 in. | 17.7 x 22.9 cm. Intaglio: engraving, drypoint, soft ground, aquatint. One plate: copper plate, printed in black. https://www.lasanskyart.com/biography daily 0.75 2024-06-12 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/f16125c9-d9b1-4c93-99ca-6ef26083ca3a/08-The+artist+and+Quetzalcoatl+Iowa+City+IA+1972-Mauricio-Lasansky.jpg Biography The artist and Quetzalcoatl, Iowa City, IA 1972 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/517001d6-103b-4cbf-bbb6-a86bbd232d7e/05-Mauricio+in+his+studio+Iowa+City+IA+1965-Mauricio-Lasansky.jpg Biography Mauricio in his studio, Iowa City, IA ca. 1965 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/ab2d8bc9-2a19-4a12-9229-3bcf25c6a340/11-Mauricio+editioning+the+master+plate+for+Maria+Jimena+Iowa+City%2C+IA+1989-Mauricio-Lasansky.jpg Biography Mauricio printing the master plate for Maria Jimena, Iowa City, IA 1989 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/12944260-2c18-448b-987c-0ec34532ca00/03-Mauricio+and+his+wife+Emilia+in+his+studio%2C+Cuernavaca+Mexico+1978-Mauricio-Lasansky.jpg Biography Mauricio and his wife Emilia in his studio, Cuernavaca, Mexico ca. 1978 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/44745b10-68c9-4f37-bf2e-b496064d33ab/01-Portrait+of+Emilia+Barragan+and+Mauricio+Lasansky+2002.jpg Biography Portrait of Emilia Barragan and Mauricio Lasansky, 2002. Photograph by Amadeo Lasansky https://www.lasanskyart.com/contact daily 0.75 2026-02-17 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/d55db4eb-5e23-4e8d-8a8e-2de8be30777f/01-The+Lasansky+Corporation+Gallery-Mauricio-Lasansky.jpg Contact The Lasansky Gallery today in Iowa City, IA https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/d04056e8-df70-4a24-be04-6d6da890ef8f/02-Lasansky+Corporation+Gallery-Mauricio-Lasansky.jpg Contact The Lasansky Gallery today in Iowa City, IA https://www.lasanskyart.com/prints-1933-1942 daily 0.75 2024-06-10 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1715808053424-REB5X0B80QOFMGD1VU4Z/Velorio+%281933%29-Mauricio-Lasansky.jpg Prints 1933-1942 Velorio (1933) Edition: 10 12.37 x 11.75 in. | 31.4 x 29.8 cm. Zincographia. Plate destroyed. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1715808044605-G7IJFGOUB1DXRQ9HO2NA/Maternidad+%281933%29-Mauricio-Lasansky.jpg Prints 1933-1942 Maternidad (1933) Edition: 10 11.25 x 11.56 in. | 28.7 x 29.4 cm. Zincographia. Plate destroyed. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/37aac21e-262f-4de3-bc06-951a98c07285/No-Impression-Available-Mauricio-Lasansky.jpg Prints 1933-1942 Meeting (1933) Edition: 10 Size unknown Zincographia. Plate destroyed. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1715808038071-67VO0N8DHCNWZGLJOPHQ/Drama+%281933%3F%29-Mauricio-Lasansky.jpg Prints 1933-1942 Drama (1935) Edition: 10 Size unknown Etching. Plate destroyed: zinc plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1715808031699-VNWJF901A2ZXPSMWCVMW/Campesinos+%281934%29-Mauricio-Lasansky.jpg Prints 1933-1942 Campesinos (1934) Edition: 10 16.75 x 15.5 in. | 42.6 x 39.4 cm. Drypoint. Plate destroyed: zinc plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1715808040835-UUJHCCK0HS2NX2IO1H8B/Herido+%281934%29-Mauricio-Lasansky.jpg Prints 1933-1942 Herido (1934) Edition: unknown Size: unknown Etching. Plate destroyed: zinc plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1715808037301-U4M2B2ZRY3UGYIP66NAR/Dolor+%281934%3F%29-Mauricio-Lasansky.jpg Prints 1933-1942 Dolor (1934) Edition: unknown Size: unknown Etching. Plate destroyed: zinc plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1715808048165-BWPPXHBO4UG1RPIECTVR/Prisoneros+%281934%29-Mauricio-Lasansky.jpg Prints 1933-1942 Prisoneros (1934) Edition: 10 11.87 x 9.75 in. | 30.2 x 24.9 cm. Zincographia. Plate destroyed. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1715808041585-20W0YQU3LCXMT2XLXEP5/Huerfan%CC%83os+%281934%3F%29-Mauricio-Lasansky.jpg Prints 1933-1942 Huerfaños (1934) Edition: unknown 15.87 x 15.25 in. | 40.4 x 38.7 cm. Drypoint. Plate destroyed: zinc plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1715808035178-KRDF3AHA0OWSZEUAPQDO/Cosecha+%281935%29-Mauricio-Lasansky.jpg Prints 1933-1942 Cosecha (1935) Edition: 5 Size unknown Etching. Plate destroyed: zinc plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/37aac21e-262f-4de3-bc06-951a98c07285/No-Impression-Available-Mauricio-Lasansky.jpg Prints 1933-1942 Simbolo (1935) Edition: 10 Size unknown Zincographia. Plate destroyed. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1715808047999-IMNT871GB12B0LPU2VWO/Suicidas+%281935%29-Mauricio-Lasansky.jpg Prints 1933-1942 Suicidas (1935) Edition: 30 11.12 x 13.62 in. | 28.3 x 34.6 cm. Deep bite etching. Plate destroyed: zinc plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1715808034310-RTS1R1JJ3OVJVLB347NH/Cena+%281935%29-Mauricio-Lasansky.jpg Prints 1933-1942 Cena (1935) Edition: 10 17.87 x 20.56 in. | 44.3 x 52.2 cm. Linoleum cut. Block destroyed. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/37aac21e-262f-4de3-bc06-951a98c07285/No-Impression-Available-Mauricio-Lasansky.jpg Prints 1933-1942 Fin (Date unknown) Edition: unknown Size unknown Zincographia. Plate destroyed. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/37aac21e-262f-4de3-bc06-951a98c07285/No-Impression-Available-Mauricio-Lasansky.jpg Prints 1933-1942 Compesina Hablando (Date unknown) Edition: unknown Size unknown Zincographia. Plate destroyed. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1715808053270-QZ15JYEXJS7UTIX9F0XA/Tragedia+%28Date+unknown%29-Mauricio-Lasansky.jpg Prints 1933-1942 Tragedia (Date unknown) Edition: unknown Size unknown Lithograph. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1715808032062-0L83HJXA9LBU9WZB9KK8/Cadaver+%28Date+unknown%29-Mauricio-Lasansky.jpg Prints 1933-1942 Ensayo (Date unknown) Edition: unknown Size unknown Lithograph. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/fc88e746-6dc4-4f74-b188-58dcc7143745/19-Cabeza+%281936%29-Mauricio-Lasansky.jpg Prints 1933-1942 Cabeza (Date unknown) Edition: unknown Size unknown Lithograph. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1715808044784-T35743O10YQFQG0GHJ3F/Peladora+de+Can%CC%83a+%281936%29-Mauricio-Lasansky.jpg Prints 1933-1942 Peladora de Caña (1936) Edition: 8 22.37 x 17.56 in. | 56.9 x 45.0 cm. Etching. Plate destroyed: zinc plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0ec6004e-59e7-4b38-8654-215b4564868e/22-Tierra+%28Date+unknown%29-Mauricio-Lasansky.jpg Prints 1933-1942 Tierra (Date unknown) Edition: unknown Size unknown Drypoint. Plate destroyed. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/548ca778-115b-4bdc-8d1c-f6e64aa4f3f5/Changos+%281936%29-Mauricio-Lasansky.jpg Prints 1933-1942 Changos (1936) Edition: 10 16.0 x 18.12 in. | 40.6 x 49.9 cm. Linoleum cut. Block destroyed: printed in black. Two prints on Japanese paper. This type of paper has a tendency to wrinkle; measurements of the two prints on Japanese paper will vary. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/37aac21e-262f-4de3-bc06-951a98c07285/No-Impression-Available-Mauricio-Lasansky.jpg Prints 1933-1942 Campesinos (Date unknown) Edition: unknown Size unknown Drypoint. Plate destroyed: zinc plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/62cf5348-1ae4-4a29-879d-523879fa97ec/24-Victimas+%28Date+unknown%29-Mauricio-Lasansky.jpg Prints 1933-1942 Victimas (Date unknown) Edition: unknown Size unknown Drypoint. Plate destroyed: zinc plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/37aac21e-262f-4de3-bc06-951a98c07285/No-Impression-Available-Mauricio-Lasansky.jpg Prints 1933-1942 Las Victimas (Date unknown) Edition: unknown Size unknown Drypoint. Plate destroyed: zinc plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/cd9f8f3a-40fc-48ec-be1e-942144653410/28-Piedad+%281936%29-Mauricio-Lasansky.jpg Prints 1933-1942 Piedad (1936) Edition: 10 12.5 x 10.18 in. | 31.8 x 25.9 cm. Drypoint. Plate destroyed: zinc plate. This impression was printed in green ink on a warm, gray paper. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/2e3a2e22-88cf-4021-843d-56c57838818c/29-Velorio+%281936%29-Mauricio-Lasansky.jpg Prints 1933-1942 Velorio (Icon) (1936) Edition: unknown Size unknown Engraving. Plate destroyed: zinc plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/37aac21e-262f-4de3-bc06-951a98c07285/No-Impression-Available-Mauricio-Lasansky.jpg Prints 1933-1942 Papa! (Date unknown) Edition: unknown Size unknown Drypoint. Plate destroyed: zinc plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1631e427-fe73-4abe-b21b-ddfe397fbc10/30-Cena+%281937%29+state-Mauricio-Lasansky.jpg Prints 1933-1942 Cena (1937) Edition: 10 11.18 x 12.92 in. | 28.5 x 32.8 cm. Etching. Plate destroyed: zinc plate. Printed in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/8528e8c2-dda8-4e6f-882d-1253f09ab154/31-Carnaval+%281936%29-Mauricio-Lasansky.jpg Prints 1933-1942 Carnaval (1936) Edition: 10 17.42 x 12.25 in. | 44.4 x 31.1 cm. Linoleum cut. Block destroyed: printed in black on newspaper. The type on the newspaper makes a texture and also a gray. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/fa9ce9a3-9948-44a9-98a2-148bd4296eb1/32-Burritos+%281937%29-Mauricio-Lasansky.jpg Prints 1933-1942 Burritos (1937) Edition: 15 17.0 x 12.19 in. | 43.2 x 56.4 cm. Linoleum cut. Block destroyed: printed in black. This impression was printed on heavy, manila-colored paper. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/4e63f45e-93dd-4f6a-a3d0-c576311b7f36/33-Sequi%CC%81a+%281937%29-Mauricio-Lasansky.jpg Prints 1933-1942 Sequía (1937) Edition: 10 16.87 x 16.82 in. | 42.9 x 42.7 cm. Linoleum cut. Block destroyed: printed in black. This impression was printed on manila-colored paper. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/7779ce6a-2ee4-40e9-9019-1ae9ad993b60/34-Tucuma%CC%81n+%281937%29-Mauricio-Lasansky.jpg Prints 1933-1942 Tucumán (1937) Edition: 8 20.75 x 15.87 in. | 52.8 x 40.2 cm. Drypoint. One Plate destroyed: zinc plate. Printed in black on manila-colored paper. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/ba2e7780-7510-4fd6-ad89-806e7b272a1c/35-El+Molino+%281937%29-Mauricio-Lasansky.jpg Prints 1933-1942 El Molino (1937) Edition: 10 12.0 x 15.25 in. | 30.5 x 38.7 cm. Zincographia: relief etching on zinc. Plate destroyed. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/b539fca8-8726-416d-8501-90922045baac/36-Changos+%281937%29-Mauricio-Lasansky.jpg Prints 1933-1942 Changos (1937) Edition: 10 15.42 x 19.62 in. | 39.2 x 49.9 cm. Etching: on zinc. Plate destroyed: printed in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/832b983b-7a81-4f95-abe7-f7f2a6f29a38/37-Changos+y+Burritos+%281937%29-Mauricio-Lasansky.jpg Prints 1933-1942 Changos y Burritos (1937) Edition: 15 20.87 x 26.75 in. | 53.1 x 67.9 cm. Etching: may be touches of drypoint. Plate destroyed: zinc plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1229eeae-90d6-4b49-a3d4-dc47205c12c4/38-Maternidad+%281937%29-Mauricio-Lasansky.jpg Prints 1933-1942 Maternidad (1937) Edition: 5 22.25 x 16.92 in. | 56.6 x 43.0 cm. Drypoint. Plate destroyed: zinc plate. Printed in blueish-black on beige-color paper. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/c69b8941-35ea-45cc-b2d7-cc49d1b4fba5/47-El+Presagio+%281940-41%29+state-Mauricio-Lasansky.jpg Prints 1933-1942 Maternidad (1937 ca.) Edition: 1 Size unknown Color trial experiment. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0e8fa3e7-42db-4b34-9c5b-688a98c565c0/40-Figura+%281938%29-Mauricio-Lasansky.jpg Prints 1933-1942 Figura (1938) Edition: 15 ca. 14.87 x 11.62 in. | 37.7 x 29.6 cm. Etching: signs of burnishing. Plate destroyed: zinc plate. This impression was printed with orange ink. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/619ccc48-336c-438f-9e5a-53e74b5069db/42-Anunciacio%CC%81n+%281938%29-Mauricio-Lasansky.jpg Prints 1933-1942 Anunciación (1938) Edition: 10 Size unknown Drypoint. Plate destroyed: zinc plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/cb643bcd-ec60-4e4b-b229-c8e6f0b6e0b3/41-Cabeza+%281939%29-Mauricio-Lasansky.jpg Prints 1933-1942 Cabeza (1939) Edition: 10 13.37 x 5.50 in. | 34.0 x 13.4 cm. Drypoint. Plate destroyed: zinc plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/6cd369c8-e467-4694-aeac-4176b7d8a23b/43-Cancio%CC%81n+de+Cuna+%281939%29-Mauricio-Lasansky-u.jpg Prints 1933-1942 Canción de Cuna (1939) Edition: 10 14.25 x 20.87 in. | 36.7 x 54.8 cm. Drypoint: burin. Plate destroyed: copper plate. One side printed twice, first in sienna, second in Prussian blue. Inspired by the cradle song, Los Cinco Burritos by Javier Villafañe; made for William Lasansky. The New York Public Library has the only impression of the last state in the United States. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/f58928fd-922a-460b-8b1e-245c219841a4/44-Estudio+para+un+Retrato+%28Lady+with+Flower%29+%281940%29+state-Mauricio-Lasansky.jpg Prints 1933-1942 Estudio para un Retrato (Lady with Flower) (1940) Edition: 10 18.32 x 12.5 in. | 46.5 x 31.7 cm. Drypoint. Plate destroyed: zinc plate. Plate printed twice, first in sienna, second in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/8bee429c-c345-4029-8f3d-41e068ba6e13/45-Un+Romance+Sona%CC%81mbulo+%281940%29-Mauricio-Lasansky.jpg Prints 1933-1942 Un Romance Sonámbulo (1940) Edition: 10 20.67 x 12.18 in. | 52.5 x 31.5 cm. Drypoint. Plate destroyed: zinc plate. Irregular-shaped plate. Plate printed twice, first in sienna, second in black. Inspired by a poem by Garcia Lorca. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/8e4f64c3-b6ff-41e4-aa65-6e9b717c282a/46-Emilia+%281940%29-Mauricio-Lasansky.jpg Prints 1933-1942 Emilia (1940) Edition: 10 ca. Size unknown Drypoint. Plate destroyed: zinc plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/29aac278-0e4d-4066-b510-d7e3c825d09e/48-El+Presagio+%281940-41%29-Mauricio-Lasansky.jpg Prints 1933-1942 El Presagio (1940-41) Edition: 5 24.32 x 16.32 in. | 61.4 x 41.6 cm. Drypoint. Plate destroyed: zinc plate. Plate printed twice, first in sienna, second in black. There is an impression existing printed in sienna ink on the blueish-black ink. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/096256b1-da8b-4bed-b5b0-f75ea8e10188/49-Retrato+de+Emilia+%281941%29-Mauricio-Lasansky.jpg Prints 1933-1942 Retrato de Emilia (1941) Edition: 10 15.57 x 12.37 in. | 39.8 x 31.7 cm. Drypoint. Plate destroyed: zinc plate. Printed in sienna. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/dcacbc09-80f9-40b4-bf30-4716b51a7c7f/50-La+Rosa+y+el+Espejo+%281941%29-Mauricio-Lasansky.jpg Prints 1933-1942 La Rosa y el Espejo (1941) Edition: 10 24.25 x 12.37 in. | 61.7 x 42.7 cm. Drypoint. Plate destroyed: zinc plate. Plate printed twice, first in sienna, second in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/24ae8936-faa2-4318-98df-a13f1ce889bb/57-Figura+%281942%29+state-Mauricio-Lasansky.jpg Prints 1933-1942 Figura (1942) Edition: 1 7.75 x 11.25 in. | 19.7 x 28.6 cm. Drypoint. Plate destroyed: zinc plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/81a436b0-a30d-47f3-b581-0788262ed233/52-Estudio+para+un+Retrato+de+A.B.+%28Barral%29+%281942%29-Mauricio-Lasansky.jpg Prints 1933-1942 Estudio para un Retrato de A.B. (Barral) (1942) Edition: 6 10.12 x 9.92 in. | 25.8 x 25.3 cm. Drypoint. Plate destroyed: zinc plate. Plate printed twice, first in sienna, second in black, on manila-colored paper. The top of the plate has been rounded. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/8476ba55-4d86-4c47-a07f-919cefae1665/53-Mi+Hijo+y+su+Reina+de+Barajas+%281942%29-Mauricio-Lasansky.jpg Prints 1933-1942 Mi Hijo y su Reina de Barajas (1942) Edition: 10 15.12 x 10.75 in. | 38.4 x 32.1 cm. Drypoint. Plate destroyed: zinc plate. Plate printed twice, first in sienna, second in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/e4e2215f-bec5-4f84-942b-8395df2438a0/54-Motivo+Sobre+al+Cancionero+de+Heine+I+%281942%29-Mauricio-Lasansky.jpg Prints 1933-1942 Motivo Sobre al Cancionero de Heine I (1942) Edition: 10 6.62 x 4.57 in. | 16.9 x 11.6 cm. Drypoint. Plate destroyed: zinc plate. Plate printed twice, first in sienna, second in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3d92d0d5-b11d-4768-a4f2-6347f8163096/55-Motivo+Sobre+al+Cancionero+de+Heine+II+%281942%29-Mauricio-Lasansky.jpg Prints 1933-1942 Motivo Sobre al Cancionero de Heine II (1942) Edition: 10 6.5 x 4.57 in. | 16.5 x 11.5 cm. Drypoint. Plate destroyed: zinc plate. Plate printed twice, first in ochre, second in blue. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0def3f19-c71c-4167-89a8-38d539471eb2/56-Motivo+Sobre+al+Cancionero+de+Heine+III+%281942%29-Mauricio-Lasansky.jpg Prints 1933-1942 Motivo Sobre al Cancionero de Heine III (1942) Edition: 10 6.75 x 4.75 in. | 17.2 x 12.1 cm. Drypoint. Plate destroyed: zinc plate. Plate printed twice. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1ec9c309-4a2b-449f-83fc-11a3dd114dc3/58-Estudio+para+un+Auto+Retrato+%281943%29-Mauricio-Lasansky.jpg Prints 1933-1942 Estudio para un Auto Retrato (1943) Edition: 10 8.57 x 6.07 in. | 21.8 x 15.4 cm. Drypoint. Plate destroyed: zinc plate. Plate printed twice, first in sienna, second in blue on manila-colored paper. https://www.lasanskyart.com/prints-1946-1949 daily 0.75 2024-06-10 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/cf22f10f-186c-46dc-a454-1f6e90751321/01-Time+in+Space+%281946%29-Mauricio-Lasansky.jpg Prints 1946-1949 Time in Space (1946) Edition: 35 15.93 x 23.83 in. | 45.5 x 60.5 cm. Intaglio: engraving, etching, aquatint, soft ground, extensive burnishing and scraping, large open-bite areas, electric stippler. One plate: one copper plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1f007628-7161-48cf-af45-7f40ef25816a/02-Dachau+%281946%29-Mauricio-Lasansky.jpg Prints 1946-1949 Dachau (1946) Edition: 35 15.62 x 23.67 in. | 39.8 x 60.1 cm. Intaglio: plate bitten and worked in multi-levels (stopped-out areas with deep open bite) containing engraving, gouged-out white areas, soft ground, etching, aquatint, extensive burnishing and scraping. One plate: one copper plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3842515b-ad42-4c7f-a0ed-8ce06524394b/03-For+an+Eye+an+Eye+I+%281946-1948%29-Mauricio-Lasansky.jpg Prints 1946-1949 For an Eye an Eye I (1946-1948) Edition: 50 26.37 x 21.06 in. | 66.8 x 53.6 cm. Intaglio: etching, soft ground, aquatint, open-bite areas, extensive scraping and burnishing. One plate: one copper plate. For an Eye an Eye series: 4 prints (1946-1948) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0efb91bf-e652-4013-a18a-3ef00fd125f8/04-For+an+Eye+an+Eye+II+%281946-1948%29-Mauricio-Lasansky.jpg Prints 1946-1949 For an Eye an Eye II (1946-1948) Edition: 50 26.12 x 21.62 in. | 66.8 x 53.6 cm. Intaglio: etching, soft ground, aquatint, gouged-out white areas, electric stippler, extensive scraping and burnishing. One plate: one copper plate. For an Eye an Eye series: 4 prints (1946-1948) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/dce4973a-ce06-44cf-9429-c54b92247236/05-For+an+Eye+an+Eye+III+%281946-1948%29-Mauricio-Lasansky.jpg Prints 1946-1949 For an Eye an Eye III (1946-1948) Edition: 50 27.0 x 21.5 in. | 68.5 x 54.6 cm. Intaglio: etching, aquatint, open-bite areas, lift ground, electric stippler, extensive scraping and burnishing. One plate: one copper plate. For an Eye an Eye series: 4 prints (1946-1948) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/ceff040c-0396-4088-b38e-cccecb84acab/06-For+an+Eye+an+Eye+IV+%281946-1948%29-Mauricio-Lasansky.jpg Prints 1946-1949 For an Eye an Eye IV (1946-1948) Edition: 50 26.62 x 21.06 in. | 66.8 x 53.6 cm. Intaglio: etching, engraving, stopped-out open-bite areas, aquatint, electric stippler, extensive scraping and burnishing. One plate: one copper plate. For an Eye an Eye series: 4 prints (1946-1948) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/bca94d95-dab3-4cac-9644-d2fbcf8e9aac/07-Spring+%281947%29-Mauricio-Lasansky.jpg Prints 1946-1949 Spring (1947) Edition: 50 23.75 x 8.75 in. | 60.4 x 22.1 cm. Intaglio: engraving, etching, soft ground, aquatint, large open-bite areas, electric stippler. Nine plates: one master copper plate printed in black, eight copper color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/f0eb2904-bb88-4713-9bc4-8c4de00a36b1/08-Fall+%281947%29-Mauricio-Lasansky.jpg Prints 1946-1949 Fall (1947) Edition: 5 23.87 x 8.0 in. | 16.6 x 21.0 cm. Intaglio: engraving, aquatint, open-bite areas. Two plates: one copper master plate, one copper color plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/c05a7732-77c6-4f4f-8e32-95313ea3ac5f/09-Winter+%281947%29-Mauricio-Lasansky.jpg Prints 1946-1949 Winter (1947) Edition: 5 24.0 x 8.37 in. | 61.0 x 21.3 cm. Intaglio: engraving, etching, soft ground, aquatint, electric stippler, large open-bite areas. Four plates: one copper master plate, three copper color plates. All plates contain color in the intaglio area except for purple, which is rolled on. Lower right hand corner red area is a cut-out plate which is placed upon the master plate, then printed. This approach is again taken up in Bleeding Heart (1970) and Quetzalcoatl (1972). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/db4c30b1-ff56-48e1-a603-b931787b53c3/10-Black+Print+%281947-1978%29-Mauricio-Lasansky.jpg Prints 1946-1949 Black Print (1947) Edition: unique print, trial proof. 23.82 x 17.62 in. | 60.3 x 44.8 cm. Intaglio: engraving, soft ground, aquatint, etching, open-bite areas, burnishing and scraping. Two plates: two copper plates printed in black ink on black paper; the plates are positioned side by side. One is the master plate of Winter and the other is the master plate of Spring while still in state form. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/677abba6-4e89-4f15-9fcc-5637522edb03/11-My+Boy+%281947%29-Mauricio-Lasansky.jpg Prints 1946-1949 My Boy (1947) Edition: 35 16.93 x 14.0 in. | 43.0 x 35.6 cm. Intaglio: engraving, etching, aquatint, soft ground, open-bite areas, electric stippler, burnishing, extensive scraping. Five plates: two copper master plates, three copper color plates. Six states of this print are believed to exist. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/6dd3755b-55c2-4882-aa83-fbb97e96cf92/12-My+Wife+%281947%29-Mauricio-Lasansky.jpg Prints 1946-1949 My Wife (1947) Edition: 35 Color plates: 21.25 x 16.62 in. | 58.3 x 42.2 cm. Master plates: 17.93 x 14.87 in. | 45.6 x 37.7 cm. Intaglio: engraving, etching, aquatint, soft ground, water ground, burnishing and scraping. Six plates: one copper master plate, five copper color plates. This plate was used for the print My Wife and Thomas (1959). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/22b640e4-c9b7-4695-8187-9141bd3bc699/13-Self-Portrait+%281948%29-Mauricio-Lasansky.jpg Prints 1946-1949 Self-Portrait (1948) Edition: 50 23.93 x 15.82 in. | 60.8 x 40.2 cm. Intaglio: engraving, etching, aquatint, soft ground, open-bite areas, scraping and burnishing. Three plates: one copper master plate, two zinc color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/2b68d21f-d7a5-4dbe-ba62-ba78569a108d/14-Near+East+%28Pieta%29+%281948%29-Mauricio-Lasansky.jpg Prints 1946-1949 Pieta (1948) Edition: 35 19.25 x 28.0 in. | 49.0 x 71.1 cm. Intaglio: engraving, etching, aquatint, soft ground, lift ground, grease ground, electric stippler, extensive scraping and burnishing. Nine plates: one copper master plate, eight zinc color plates. Master plate is printed twice in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/2118dbff-0eeb-4f23-91f8-cb3502f5a715/15-El+Pajaro+%281948%29-Mauricio-Lasansky.jpg Prints 1946-1949 El Pajaro (1948) Edition: 50 28.87 x 22.32 in. | 73.3 x 56.6 cm. Intaglio: engraving, etching, aquatint, extensive scraping and burnishing, scorped-out white areas, drypoint, several large open-bite areas, varnish resist. One plate: one copper plate, printed in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3bebc5b0-d6ee-4863-aa3d-5837a2088762/16-Aitana+%281948%29-Mauricio-Lasansky.jpg Prints 1946-1949 Aitana (1948) Edition: 35 26.75 x 11.83 in. | 67.9 x 30.1 cm. Intaglio: engraving, etching, soft ground, aquatint, grease ground, electric stippler, drypoint touches. Five plates: one copper master plate, four zinc color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3dc8be96-802d-479e-87b4-2a170c26733d/17-Near+East+%28Pieta%29+%281948%29+state-Mauricio-Lasansky.jpg Prints 1946-1949 Near East (Pieta) (1948) Edition: 35 19.18 x 23.87 in. | 48.1 x 60.7 cm. Intaglio: engraving, etching, soft ground, aquatint, grease ground, electric stippler, deep open-bite areas, burnishing and scraping. Seven plates: one copper master plate printed in black, six zinc color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/969992dc-a956-4d20-bbf4-2f55afc88fce/18-Self-Portrait+%281949%29-Mauricio-Lasansky.jpg Prints 1946-1949 Self-Portrait (1949) Edition: 25 13.0 x 9.87 in. | 33.1 x 25.1 cm. Intaglio: engraving, etching, soft ground, scraping and burnishing. One plate: one copper plate. https://www.lasanskyart.com/prints-1950-1959 daily 0.75 2024-06-10 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/45b4e043-b5cb-451f-b0bb-ef6d0499d832/01-Self-Portrait+%28In+Frame%29+%281950%29-Mauricio-Lasansky.jpg Prints 1950-1959 Self-Portrait (In Frame) (1950) Edition: 50 Color plates: 21.06 x 19.0 in. | 53.4 x 48.4 cm. Master plate: 15.25 x 16.82 in. | 38.8 x 42.8 cm. Intaglio: engraving, etching, aquatint, electric stippler, scraping and burnishing. Three plates: one copper plate printed twice, first in yellow ochre, second in black; two zinc color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/26011aa7-c3fc-4af3-92b5-1f04b12f4c84/02-Bodas+de+Sangre+%281951%29-Mauricio-Lasansky.jpg Prints 1950-1959 Bodas de Sangre (1951) Edition: 50 20.62 x 28.67 in. | 51.7 x 73.0 cm. Intaglio: engraving, etching, gouged-out white areas, aquatint, soft ground, resists, lift ground, electric stippler, grease ground, extensive scraping and burnishing. Nine plates: one copper master plate, eight zinc color plates. Inspired by Garcia Lorca. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/75fa6be0-ed6d-4328-9a22-be85affeabf0/03-Firebird+%281952-53%29-Mauricio-Lasansky.jpg Prints 1950-1959 Firebird (1952-1953) Edition: 50 21.37 x 33.93 in. | 54.1 x 86.2 cm. Intaglio: engraving, etching, aquatint, soft ground, electric stippler, scraping and burnishing. One plate: one copper plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/2b586834-4dc0-4f7e-a772-63e72c70de07/04-Boy+%281954%29-Mauricio-Lasansky.jpg Prints 1950-1959 Boy (1954) Edition: 50 24.0 x 13.37 in. | 50.9 x 33.9 cm. Intaglio: engraving, aquatint, soft ground, grease ground (could be water ground), open-bite areas, electric stippler, scraping and burnishing. Four plates: one copper master plate, three zinc color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/79e1174d-a3ce-4bdf-85c6-2752c5a986f5/05-Sagittarius+%281955%29-Mauricio-Lasansky.jpg Prints 1950-1959 Sagittarius (1955) Edition: 50 21.37 x 35.37 in. | 52.4 x 89.8 cm. Intaglio: engraving, etching, aquatint, soft ground, lift ground or aquatinted stopped-out areas, electric stippler, scraping and burnishing. One plate: one copper plate, slightly shaped on three sides. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/8c596bc3-6f35-4d10-9d67-ea41fef9e34d/06-The+Vision+%281956%29-Mauricio-Lasansky.jpg Prints 1950-1959 The Vision (1956) Edition: 50 23.83 x 21.67 in. | 60.4 x 55.0 cm. Intaglio: engraving, etching, aquatint, soft ground, electric stippler, scraping and burnishing. One plate: one copper plate printed twice, first in yellow ochre, second in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/136dcd52-7c58-436c-945c-7fc62ed48f8f/07-Espan%CC%83a+%281956%29-Mauricio-Lasansky.jpg Prints 1950-1959 España (1956) Edition: 50 31.87 x 20.62 in. | 80.9 x 52.7 cm. Intaglio: engraving, etching, aquatint, soft ground, scraping and burnishing. One plate: one copper plate printed twice, first in yellow ochre, second in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/c34e7e63-2c78-464f-9fe4-74a04f52f5dd/08-Self+Portrait+%281957%29-Mauricio-Lasansky.jpg Prints 1950-1959 Self Portrait (1957) Edition: 50 35.75 x 20.62 in. | 91.0 x 52.4 cm. Intaglio: engraving, electric stippler, scraping and burnishing. One plate: one magnesium plate printed twice, first in yellow ochre, second in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/f2883b14-967f-4a7d-9c0d-34e4982abf1b/09-Father+and+Son+%281958%29-Mauricio-Lasansky.jpg Prints 1950-1959 Father and Son (1958) Edition: 50 35.83 x 20.93 in. | 91.0 x 53.1 cm. Intaglio: engraving (plus multi-burin, scraping, electric stippler. One plate: one magnesium plate printed twice, first in yellow ochre, second in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/ea3c72ee-378a-40ec-974e-e7d13c1d6b6e/10-Nacimiento+en+Cardiel+%281958%29-Mauricio-Lasansky.jpg Prints 1950-1959 Nacimiento en Cardiel (1958) Edition: 50 21.18 x 32.25 in. | 53.9 x 81.9 cm. Intaglio: etching, drypoint, soft ground, aquatint, electric stippler, shallow surface bite, scraping and burnishing. One plate: one copper plate printed twice, first in yellow ochre, second in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/48fb4333-ec45-42d2-ab6b-13651c8ced31/11-My+Son+Leonardo+%281959%29-Mauricio-Lasansky.jpg Prints 1950-1959 My Son Leonardo (1959) Edition: 50 (first state) 25.37 x 16.62 in. | 64.5 x 41.6 cm. Intaglio: engraving, etching, soft ground, aquatint, electric stippler, scraping and burnishing. Four plates: two copper plates, two zinc color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/b464e63d-33ca-4d50-a2b1-386c0cc5d394/12-Self-Portrait+%281959%29-Mauricio-Lasansky.jpg Prints 1950-1959 Self-Portrait (1959) Edition: 50 66.87 x 20.56 in. | 169.9 x 52.3 cm. Intaglio: etching, soft ground, aquatint, open-bite, water ground, electric stippler. Three plates: two master plates, one zinc color plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1d4af34d-7655-4ad0-a07a-6cfa07978ef3/13-My+Daughter+Maria+Jimena+%281959%29-Mauricio-Lasansky.jpg Prints 1950-1959 My Daughter Maria Jimena (1959) Edition: 50 58.83 x 20.62 in. | 174.7 x 52.2 cm. Intaglio: engraving, etching, soft ground, aquatint, electric stippler. Five plates: three copper master plates, two zinc alloy color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/5289f6ce-b6ec-455f-a12a-11c5a9821a5f/14-My+Wife+and+Thomas+%281959%29-Mauricio-Lasansky.jpg Prints 1950-1959 My Wife and Thomas (1959) Edition: 50 74.62 x 20.0 in. | 188.8 x 50.8 cm. Intaglio: engraving, etching, water ground, aquatint, grease ground, soft ground, electric stippler, scraping and burnishing. Nine plates: four copper master plates, five zinc alloy color plate. https://www.lasanskyart.com/prints-1960-1969 daily 0.75 2024-06-10 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/40068e6c-ddf5-43a9-b196-ce3a7bfe8c67/01-Study+of+Jimena+%281961%29-Mauricio-Lasansky.jpg Prints 1960-1969 Study of Jimena (1961) Edition: 70 17.75 x 16.12 in. | 45.0 x 40.9 cm. Intaglio: engraving, etching, soft ground, water ground, aquatint. Three plates: one copper master plate, two zinc color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1667433e-de33-4ba5-a3e7-a410393e6e91/02-La+Jimena+%281960+or+1961%29-Mauricio-Lasansky.jpg Prints 1960-1969 La Jimena (1960 or 1961) Edition: 50 65.56 x 18.87 in. | 166.6 x 48.0 cm. Intaglio: engraving, etching, soft ground, drypoint, electric stippler, scraping and burnishing. Four plates: three copper master plates, one color plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0a684c4f-8ee1-4614-9753-586e5b06c02e/03-Portrait+of+an+Artist+%281961%29+state-Mauricio-Lasansky.jpg Prints 1960-1969 Portrait of an Artist (1961) Edition First State: 50 20.25 x 16.93 in. | 51.4 x 43.0 cm. Intaglio: engraving, etching, soft ground, drypoint, electric stippler. Three plates: one copper master plate, two zinc alloy color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/ac76aacd-6b2b-446a-831c-d8870ce83802/04-Portrait+of+an+Artist+%281961%29-Mauricio-Lasansky.jpg Prints 1960-1969 Portrait of an Artist (1961) Final Edition: 50 20.25 x 16.93 in. | 51.4 x 43.0 cm. Intaglio: engraving, etching, soft ground, drypoint, electric stippler. Three plates: one copper master plate, two zinc alloy color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/f4dcce3c-f4c2-4b92-9ec9-e02350a64e13/05-El+Maestro+%281962-1981%29-Mauricio-Lasansky.jpg Prints 1960-1969 El Maestro (1962) Edition: 70 15.0 x 15.0 in. | 38.1 x 38.1 cm. Intaglio: engraving, etching, soft ground, drypoint, grease ground, aquatint. Three plates: one copper master plate, two zinc color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/2fbbf647-4dc2-4909-98cf-ebdf66f39a9d/06-Portrait+of+a+Poet+%28Rocio+Aitana+-+small%29+%281962%29-Mauricio-Lasansky.jpg Prints 1960-1969 Portrait of a Poet Rocio Aitana - small (1962) Edition: 35 15.06 x 16.0 in. | 39.5 x 40.6 cm. Intaglio: engraving, etching, soft ground, water ground, drypoint, electric stippler. Three plates: one copper master plate, two zinc color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/5ec1d7b4-9286-4b6c-b2d5-0eaec3c049a3/07-Thomas+%281962%29-Mauricio-Lasansky.jpg Prints 1960-1969 Thomas (1962) Edition: 50 41.82 x 19.0 in. | 106.1 x 48.2 cm. Intaglio: engraving, etching, soft ground, aquatint, electric stippler. Five plates: two copper master plates, three zinc alloy color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/4da624b4-7fa0-4a29-9a81-c39bec93b029/08-Luis+Felipe+%281963%29-Mauricio-Lasansky.jpg Prints 1960-1969 Luis Felipe (1963) Edition: 50 49.87 x 21.0 in. | 126.7 x 53.3 cm. Intaglio: engraving, etching, soft ground, aquatint, electric stippler, drypoint, scraping. Six plates: three master (two zinc, one copper) plates, three zinc alloy color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/542afbca-2e38-481b-b159-ddca5e7ffec2/09-Head+%28Boy+with+Cat%29+%281964%29+state-Mauricio-Lasansky.jpg Prints 1960-1969 Head Boy with Cat (1964) Edition: state, never editioned 14.93 x 13.5 in. | 37.9 x 34.3 cm. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/d930d037-ebf1-443a-97d3-ccb673672418/10-Boy+with+Cat+%281964%29-Mauricio-Lasansky.jpg Prints 1960-1969 Boy with Cat (1964) Edition: 50 52.75 x 23.87 in. | 134.0 x 60.8 cm. Intaglio: engraving, etching, soft ground, aquatint, electric stippler, drypoint, scraping and burnishing. Five plates: three master plates, two color plates. The figure is printed in black. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/061351c1-e632-4eb0-a1de-8dc05ba3a142/11-El+Cardenal+%281964%29-Mauricio-Lasansky.jpg Prints 1960-1969 El Cardenal (1964) Edition: 50 28.87 x 18.32 in. | 73.3 x 46.5 cm. Intaglio: engraving, etching, drypoint, soft ground resist, water ground or grease ground, aquatint, electric stippler. Three plates: one copper master plate, two zinc alloy color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/f64665b3-b7df-4bad-9155-68ef55527a09/12-Pope+%281965%29+state-Mauricio-Lasansky.jpg Prints 1960-1969 Pope (1965) Edition: 20 22.75 x 17.93 in. | 56.3 x 45.7 cm. Intaglio: engraving, etching, drypoint, aquatint, grease ground, electric stippler, scraping and burnishing. Three plates: one copper master plate, two color plates (one zinc and one copper). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/8fb67fc7-2bc9-492c-a861-d1c47660823b/13-Portrait+of+a+Young+Artist+%281965%29-Mauricio-Lasansky.jpg Prints 1960-1969 Portrait of a Young Artist (1965) Edition: 70 19.37 x 17.87 in. | 49.3 x 45.4 cm. Intaglio: engraving (touches), etching, aquatint, soft ground, electric stippler. Two plates: one copper master plate, one zinc color plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/bb283c18-ca29-4477-a2aa-731fc5932027/14-Head+of+a+Young+Girl+%28Amana+Girl+Head%29+%281965%29-Mauricio-Lasansky.jpg Prints 1960-1969 Head of a Young Girl (Amana Girl Head) (1965) Edition: state 18.0 x 16.0 in. | 45.7 x 40.6 cm. Intaglio: engraving, etching, drypoint, soft ground, aquatint. Three plates: one copper master plate, one zinc color plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/4e482c74-d593-4274-817a-27c55063b6db/15-Woman+with+Lute+%281965%29-Mauricio-Lasansky.jpg Prints 1960-1969 Woman with Lute (1965) Edition: 50 74.67 x 23.83 in. | 189.7 x 60.5 cm. Intaglio: engraving, etching, soft ground, sandpaper, aquatint, electric stippler, scraping and burnishing. Six plates: four copper master plates, two zinc-galvanized steel color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/4706f048-77b0-4ebb-8229-cb092bb3ff88/16-El+Mozo+%281966%29-Mauricio-Lasansky.jpg Prints 1960-1969 El Mozo (1966) Edition: 70 15.93 x 17.82 in. | 40.5 x 45.2 cm. Intaglio: engraving, etching, soft ground, open-bite, drypoint, resist ground. Three plates: one copper master plate, two zinc color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/62b01a3b-6068-4670-aca8-3b5c729adb2d/17-Pope+and+Cardinal+%281966%29-Mauricio-Lasansky.jpg Prints 1960-1969 Pope and Cardinal (1966) Edition: 50 74.5 x 32.32 in. | 189.2 x 82.2 cm. Intaglio: engraving, etching, drypoint, soft ground, embossing, electric stippler, water ground, grease ground, scraping and burnishing. Ten plates: ten assembled shaped copper, zinc-galvanized steel plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/01ee366d-1ca6-4d7c-b75c-fd14afc1acde/18-Amana+Girl+in+Red+with+Dog+%281967%29+state-Mauricio-Lasansky.jpg Prints 1960-1969 Amana Girl in Red with Dog (1967) Edition: working trial proof 47.12 x 21.93 in. | 119.7 x 55.8 cm. Intaglio: engraving, etching, soft ground, electric stippler, scraping and burnishing. Four plates: two copper master plates, two zinc-galvanized steel color plates. Note: this is a reworking of Amana Girl (Life Size); red body, green hat, brown shoes, ochre background. Short leg stool print in red. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/a2f9d42a-866a-42c1-b06c-3e700f04845b/20-Amana+Girl+in+Black+Winter+Coat+%281967%29-Mauricio-Lasansky.jpg Prints 1960-1969 Amana Girl in Black Winter Coat (1967) Edition: 70 47.0 x 21.93 in. | 119.4 x 55.8 cm. Intaglio: engraving, etching, electric stippler, aquatint, soft ground, drypoint, relief printing, scraping and burnishing, photoengraving. Six plates: three copper master plates, one relief color plate, two intaglio zinc-galvanized steel color plates. Note: figure is reworked. In addition to photoengraved plate which is of Dürer's Rhinoceros printed in relief. Dog now has color on his neck. Chair has been shortened and the girl now sits on a pillow. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/5c5a7a69-3ade-4e00-9dad-8f540a3a35db/19-Amana+Girl+in+Red+%281964-81%29-Mauricio-Lasansky.jpg Prints 1960-1969 Amana Girl in Red (1967-1981) Edition: 70 47.32 x 21.93 in. | 120.0 x 55.8 cm. Intaglio: engraving, etching, aquatint, soft ground, electric stippler, scraping and burnishing. Five plates: three copper master plates, two zinc-galvanized steel color plates. Note: reworking on front of figure. The chair has been extended in length, texture added on floor. Scraping and burnishing on body which now denotes form of an arm. Cap is red, the shoes green. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0d357795-effb-4509-82e3-2c6790b69043/21-Pope+and+Crying+Boy+%281967%29+state-Mauricio-Lasansky.jpg Prints 1960-1969 Pope and Crying Boy (1967) Edition: never editioned 65.75 x 23.75 in. | 167.0 x 60.3 cm. Intaglio: etching, soft ground, aquatint, embossment, drypoint, electric stippler, grease ground. Nine plates: nine assembled shaped copper, zinc-galvanized steel plates. Note: head is from Pope and Pope and Cardinal. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/acc9d2e3-96cc-4200-b099-d75d2a553f93/23-Lady+in+Blue+%281967%29-Mauricio-Lasansky.jpg Prints 1960-1969 Lady in Blue (1967) Edition: 50 75.56 x 25.62 in. | 192.1 x 65.3 cm. Intaglio: engraving, etching, drypoint, soft ground, aquatint, electric stippler. Three plates: one copper master plate which is the length of the print, two color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3401dba5-0898-457d-9808-98cfb5460986/22-Amish+Boy+%281967%29+state-Mauricio-Lasansky.jpg Prints 1960-1969 Amish Boy (1967) Edition: 70 27.0 x 17.87 in. | 68.5 x 45.4 cm. Intaglio: etching, engraving, drypoint, soft ground, aquatint, electric stippler. Four plates: one copper master plate, three zinc alloy color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/e6614bc8-5628-4f57-a481-f6cf04d0bbb3/24-The+Artist+Approaching+Middle+Age+%281968%29-Mauricio-Lasansky.jpg Prints 1960-1969 The Artist Approaching Middle Age (1968) Edition: 70 19.75 x 17.87 in. |50.1 x 45.5 cm. Intaglio: engraving, etching, soft ground. Three plates: one copper master plate, two zinc alloy color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/9e70c878-dc64-4504-92f2-1565edec8938/25-Tomas+with+Cap+%281968%29-Mauricio-Lasansky.jpg Prints 1960-1969 Tomas with Cap (1968) Edition: never editioned 29.12 x 18.37 in. | 74.0 x 46.6 cm. Intaglio: engraving, etching, soft ground, reverse soft ground, electric stippler, scraping and burnishing. Three plates: one copper master plate, two zinc alloy color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/d2155808-69bd-4188-b9e4-67a0bff623aa/26-Young+Lady+%281968%29-Mauricio-Lasansky.jpg Prints 1960-1969 Young Lady (1968) Edition: 70 28.62 x 18.37 in. | 72.7 x 46.7 cm. Intaglio: engraving, etching, soft ground, aquatint, electric stippler, water ground, scraping and burnishing. Four plates: one copper master plate, three zinc alloy color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/39309fd2-c3e8-4a87-b986-ce68a011f6a8/27-Little+Girl+%281968%29-Mauricio-Lasansky.jpg Prints 1960-1969 Little Girl (1968) Edition: 70 15.43 x 13.83 in. | 39.2 x 35.2 cm. Intaglio: etching, soft ground, drypoint, grease ground, electric stippler, scraping and burnishing. Three plates: one copper master plate, two zinc alloy color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/83ac1820-7f9d-4f82-83cd-cc2799e32444/28-Gregorian+Chanter+%281968%29-Mauricio-Lasansky.jpg Prints 1960-1969 Gregorian Chanter (1968) Edition: 70 29.0 x 18.32 in. | 73.8 x 46.4 cm. Intaglio: engraving, etching, soft ground, aquatint, touches of drypoint, electric stippler. Three plates: one copper master plate, two zinc-galvanized steel color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/a0b1aeec-3789-4e39-8844-195dce41adfd/29-Old+Lady+with+Bonnet+%281969%29-Mauricio-Lasansky.jpg Prints 1960-1969 Old Lady with Bonnet (1969) Edition: 70 22.06 x 17.68 in. | 56.0 x 45.0 cm. Intaglio: etching, drypoint, embossment. Three plates: one copper master plate, two zinc alloy color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0125143d-5d64-4b39-bd08-74c1da3aa5f9/30-Oriental+Image+%281969%29-Mauricio-Lasansky.jpg Prints 1960-1969 Oriental Image (1969) Edition: 50 76.83 x 25.83in. | 195.1 x 65.7 cm. Intaglio: etching, soft ground, drypoint, electric stippler, scraping and burnishing, embossment. Five plates: two copper master plates, three zinc alloy, galvanized steel color plates. https://www.lasanskyart.com/prints-1970-1979 daily 0.75 2024-06-10 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/c4a4d2f6-edbe-4043-bd17-29993e6a30d1/01-Bleeding+Heart+%281970%29-Mauricio-Lasansky.jpg Prints 1970-1979 Bleeding Heart (1970) Edition: 70 47.56 x 22.25 in. | 120.9 x 56.4 cm. Intaglio: engraving, etching, soft ground, drypoint, aquatint, open-bite areas, water ground, electric stippler, embossment, scraping and burnishing. Twenty-one plates: twenty-one assembled shaped copper, zinc alloy, galvanized steel plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1d8db8b5-463c-4e66-98e5-e0f06ddc5d76/02-Profile+with+Red+Band+%281970%29-Mauricio-Lasansky.jpg Prints 1970-1979 Profile with Red Band (1970) Edition: 70 19.87 x 16.25 in. | 50.5 x 41.3 cm. Intaglio: engraving, etching, drypoint, aquatint, soft ground with leaf resist, electric stippler, scraping and burnishing. Three plates: one copper master plate, two zinc alloy color plates. Note: this plate has gone through an extensive amount of working proofs, some of which are very beautiful in their subtle color relationships. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/61b8e9ee-b1dd-4940-896d-713707055d98/03-Boy+with+Burro+%281960-71%29-Mauricio-Lasansky.jpg Prints 1970-1979 Boy with Burro (1970-71) Edition: 70 47.75 x 34.82 in. | 121.1 x 88.5 cm. Intaglio: etching, engraving, soft ground, electric stippler, aquatint, open-bite areas, scraping and burnishing. Four plates: one copper master plate, two zinc alloy color plates. Note: the master plate is used again in the creation of Emiliano Zapata and Diego Bolivar our Grandchildren. The burro appears largely unchanged in both prints. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0b5a1228-186f-4b35-a0e0-05c598539112/04-Quetzalcoatl+%281972%29-Mauricio-Lasansky.jpg Prints 1970-1979 Quetzalcoatl (1972) Edition: 50 75.68 x 33.5 in. | 192.3 x 85.2 cm. Intaglio: engraving, etching, drypoint, soft ground, reverse soft ground, electric stippler, aquatint, lift ground, scraping and burnishing. Fifty-four plates: one galvanized color master plate; forty-five copper, zinc alloy, galvanized steel assembled shaped plates; eight copper master plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/404a60d5-13a6-409b-a6db-f541f0776c54/05-Young+Nahua+Dancer+%281961-73%29-Mauricio-Lasansky.jpg Prints 1970-1979 Young Nahua Dancer (1961-73) Edition: 70 48.25 x 26.87 in. | 122.6 x 68.3 cm. Intaglio: mezzotint, etching, soft ground, drypoint, reverse soft ground, engraving, electric stippler, scraping and burnishing. Forty-six plates: one steel color master plate; forty-one color copper, zinc alloy, galvanized steel assembled plates; three master plates, two copper, one zinc alloy; one dry printing shaped plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/8b7230a7-1560-4eb5-afaf-1f71cdf09793/06-Kaddish+%231+%281976%29-Mauricio-Lasansky.jpg Prints 1970-1979 Kaddish #1 (1976) Edition: 70 44.12 x 24.87 in. | 111.9 x 63.2 cm. Intaglio: etching, engraving, soft ground, aquatint, electric stippler, scraping and burnishing. Ten plates: two copper master plates, eight assembled shaped color plates. Kaddish series: 8 prints (1976-1978) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/ce297d23-3a79-440f-8488-8ddd4b061759/07-Kaddish+%232+%281976%29-Mauricio-Lasansky.jpg Prints 1970-1979 Kaddish #2 (1976) Edition: 70 41.06 x 25.06 in. | 104.5 x 63.5 cm. Intaglio: etching, engraving, soft ground, aquatint, electric stippler, scraping and burnishing. Thirteen plates: four copper master plates, nine assembled shaped color plates. Kaddish series: 8 prints (1976-1978) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1b8f1e02-a8b8-437a-9450-cc469de583a9/08-Kaddish+%233+%281976%29-Mauricio-Lasansky.jpg Prints 1970-1979 Kaddish #3 (1976) Edition: 70 38.5 x 24.5 in. | 97.5 x 62.2 cm. Intaglio: etching, engraving, soft ground, aquatint, electric stippler, scraping and burnishing. Seventeen plates: four copper master plates, thirteen assembled shaped color plates. Kaddish series: 8 prints (1976-1978) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/eacafbde-a3b7-4c44-b251-398620bb9d0b/09-Kaddish+%235+%281976%29-Mauricio-Lasansky.jpg Prints 1970-1979 Kaddish #5 (1976) Edition: 70 41.62 x 23.75 in. | 105.8 x 60.3 cm. Intaglio: etching, engraving, soft ground, aquatint, electric stippler, scraping and burnishing. Nineteen plates: four copper master plates, fifteen assembled shaped color plates. Kaddish series: 8 prints (1976-1978) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3c40c1db-3d4d-4869-b247-f93efff7f046/10-Kaddish+%238+%281976%29-Mauricio-Lasansky.jpg Prints 1970-1979 Kaddish #8 (1976) Edition: 70 45.62 x 23.62 in. | 115.9 x 59.9 cm. Intaglio: etching, engraving, soft ground, aquatint, electric stippler, scraping and burnishing. Twenty-six plates: two copper master plates, twenty-four assembled shaped color plates. Kaddish series: 8 prints (1976-1978) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0b27fd82-a364-4efe-9e40-2a9ad106e510/11-Kaddish+%236+%281977%29-Mauricio-Lasansky.jpg Prints 1970-1979 Kaddish #6 (1977) Edition: 70 39.87 x 23.25 in. | 101.8 x 60.7 cm. Intaglio: etching, engraving, soft ground, aquatint, electric stippler, scraping and burnishing. Twenty-three plates: one copper master plates, one zinc alloy color master plate, twenty-one assembled shaped color plates. Kaddish series: 8 prints (1976-1978) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/f650f895-7c0f-4567-b276-d7a1059bbc05/12-Kaddish+%237+%281977%29-Mauricio-Lasansky.jpg Prints 1970-1979 Kaddish #7 (1977) Edition: 70 44.62 x 24.62 in. | 113.1 x 62.6 cm. Intaglio: etching, engraving, soft ground, aquatint, electric stippler, scraping and burnishing. Twenty-two plates: two copper master plates, twenty assembled shaped color plates. Kaddish series: 8 prints (1976-1978) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/f2dc5217-b5d1-4750-8994-01a4d6eadda1/13-Kaddish+%234+%281978%29-Mauricio-Lasansky.jpg Prints 1970-1979 Kaddish #4 (1978) Edition: 70 45.62 x 23.62 in. | 115.9 x 59.9 cm. Intaglio: etching, engraving, soft ground, aquatint, electric stippler, scraping and burnishing. Forty-one plates: five copper master plates, thirty-six assembled shaped color plates. Kaddish series: 8 prints (1976-1978) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/f50fb102-d580-4906-b800-faa39e1b7d9e/14-Lady+with+Derby+%281978%29-Mauricio-Lasansky.jpg Prints 1970-1979 Lady with Derby (1978) Edition: 70 23.75 x 17.75 in. | 60.5 x 45.2 cm. Intaglio: etching, engraving, drypoint, soft ground, aquatint. Two plates: one copper master plate, one zinc alloy color plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/9d18ce70-5794-4d64-93bf-afe69ca0c676/15-Emilia+at+10+%281978%29-Mauricio-Lasansky.jpg Prints 1970-1979 Emilia at 10 (1978) Edition: 70 18.0 x 17.75 in. | 45.8 x 45.2 cm. Intaglio: etching, engraving, drypoint, soft ground, aquatint. Five plates: one copper master plate, four zinc alloy and tin plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/b6d0901d-18ed-4fa6-b001-da8820158aa6/16-Old+Man+%281979%29-Mauricio-Lasansky.jpg Prints 1970-1979 Old Man (1979) Edition: 70 15.62 x 15.62 in. | 39.7 x 39.7 cm. Intaglio: etching, engraving, drypoint, soft ground, aquatint. Two plates: one copper master plate, one zinc alloy color plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1b988f30-714e-4b5c-afa6-75e537297e67/17-Indian+Chief+Wounded+Feather+%281979%29-Mauricio-Lasansky.jpg Prints 1970-1979 Indian Chief Wounded Feather (1979) Edition: 70 30.87 x 23.5 in. | 78.6 x 59.8 cm. Intaglio: etching, engraving, drypoint, soft ground, hard ground, aquatint, electric stippler, scraping and burnishing. Thirty-one plates: three copper master plates, four zinc alloy and galvanized plates, twenty-four assembled shaped color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1cb2151e-0c10-4597-ad86-4923d24fc73e/18-Cosmos+Scapes+%231+%281979%29-Mauricio-Lasansky.jpg Prints 1970-1979 Cosmos Scapes #1 (1979) Edition: 70 24.25 x 25.5 in. | 61.5 x 64.8 cm. Intaglio: etching, soft ground, aquatint, lift ground, oxygen bite. Thirty-four plates: one copper master plate, two larger zinc alloy color plates, thirty-one assembled shaped plates. Cosmos Scapes series: 5 prints (1979) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/56621441-4693-4106-b9f9-444699813364/19-Cosmos+Scapes+%232+%281979%29-Mauricio-Lasansky.jpg Prints 1970-1979 Cosmos Scapes #2 (1979) Edition: 70 24.0 x 27.75 in. | 61.0 x 70.4 cm. Intaglio: etching, soft ground, aquatint, lift ground, oxygen bite. Thirty-two plates: one copper master plate, two larger zinc alloy plates, twenty-nine assembled shaped plates. Cosmos Scapes series: 5 prints (1979) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/4792a5ce-e53e-47d8-b90c-97df8bbdccdf/20-Cosmos+Scapes+%233+%281979%29-Mauricio-Lasansky.jpg Prints 1970-1979 Cosmos Scapes #3 (1979) Edition: 70 23.75 x 27.75 in. | 60.8 x 70.4 cm. Intaglio: etching, soft ground, aquatint, lift ground, oxygen bite. Sixteen plates: one copper master plate, two larger zinc alloy plates, thirteen assembled shaped plates. Cosmos Scapes series: 5 prints (1979) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/ed46d8e7-f965-4996-8a62-05af163e206d/21-Cosmos+Scapes+%234+%281979%29-Mauricio-Lasansky.jpg Prints 1970-1979 Cosmos Scapes #4 (1979) Edition: 70 20.0 x 26.5 in. | 51.4 x 67.4 cm. Intaglio: etching, soft ground, aquatint, lift ground, oxygen bite. Thirty-five plates: one copper master plate, two larger zinc alloy plates, thirty-two assembled shaped plates. Cosmos Scapes series: 5 prints (1979) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3a631122-4d3d-4ff1-884b-b72b08dce807/22-Cosmos+Scapes+%235+%281979%29-Mauricio-Lasansky.jpg Prints 1970-1979 Cosmos Scapes #5 (1979) Edition: 70 22.62 x 26.5 in. | 57.6 x 67.4 cm. Intaglio: etching, soft ground, aquatint, lift ground, oxygen bite. Fifty-six plates: one copper master plate, two larger zinc alloy plates, fifty-three assembled shaped plates. Cosmos Scapes series: 5 prints (1979) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/49922bad-e61f-4816-a820-0b01fbcad632/23-Objects+in+Space+%231+%281979%29-Mauricio-Lasansky.jpg Prints 1970-1979 Objects in Space #1 (1979) Edition: 70 34.5 x 26.5 in. | 87.8 x 67.5 cm. Intaglio: Chine collé, inked printing and dry printing. Multiple plates: multiple cut, assembled shaped plates, wire (copper, zinc alloy, tin). Objects in Space series: 3 prints (1979) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/efe436a9-148d-4a6f-941b-b0282dd3f5de/24-Objects+in+Space+%232+%281979%29-Mauricio-Lasansky.jpg Prints 1970-1979 Objects in Space #2 (1979) Edition: 70 21.25 x 29.0 in. | 54.0 x 73.8 cm. Intaglio: Chine collé, inked printing and dry printing. Multiple plates: multiple cut, assembled shaped plates, wire (copper, zinc alloy, tin). Objects in Space series: 3 prints (1979) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3970d428-b944-4b57-9c73-f55d64f0d06a/25-Objects+in+Space+%233+%281979%29-Mauricio-Lasansky.jpg Prints 1970-1979 Objects in Space #3 (1979) Edition: 70 23.5 x 28.25 in. | 59.7 x 70.7 cm. Intaglio: etching, soft ground, aquatint, oxygen bite. Multiple plates: one copper master plate; multiple cut, assembled shaped plates, wire (copper, zinc alloy, tin). Objects in Space series: 3 prints (1979) https://www.lasanskyart.com/prints-1980-1989 daily 0.75 2024-06-10 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/eb117a8b-3199-4e9a-96c6-7f386a4633b3/01-Palenque+%281980%29-Mauricio-Lasansky.jpg Prints 1980-1989 Palenque (1980) Edition: 70 29.12 x 41.5 in. | 73.8 x 105.6 cm. Intaglio: etching, inked printing and dry printing. Multiple plates: multiple cut, assembled plates, wire (copper, zinc alloy and tin). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/ba04d468-3849-4e8f-8d73-8a6be1dfcf16/02-Emilia+at+10+with+Black+Cat+%281978-1980%29-Mauricio-Lasansky.jpg Prints 1980-1989 Emilia at 10 with Black Cat (1980) Edition: 70 62.75 x 32.5 in. | 159.3 x 82.7 cm. Intaglio: engraving, etching, drypoint, soft ground, reverse soft ground, aquatint, electric stippler, cut plate transfer (directly from metal plate to a soft ground), scraping and burnishing. Fifty-three plates: six copper master plates, one galvanized color master plate, forty-six assembled plates (copper, zinc alloy, galvanized steel). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/874d3185-9f68-4fb0-88ba-c2b9075719b4/03-Homage+to+Entebbe+%281981%29-Mauricio-Lasansky.jpg Prints 1980-1989 Homage to Entebbe (1981) Edition: 70 27.0 x 36.75 in. | 68.8 x 94.0 cm. Intaglio: etching, soft ground, inked and dry printing. Multiple plates: plexiglass, multiple cut, assembled shaped plates, wire (copper, zinc alloy, galvanized). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/99ba934e-2ae2-470b-b820-eca0d046a588/04-Mr.+President-+A+Study+of+Lincoln+%281981%29-Mauricio-Lasansky.jpg Prints 1980-1989 Mr. President: A Study of Lincoln (1981) Edition: 70 24.5 x 20 in. | 62.4 x 51.0 cm. Intaglio: etching, engraving, soft ground, lift ground, aquatint, drypoint, scraping and burnishing. Seven plates: one copper master plate, one zinc alloy color master plate, five cut shaped assembled plates. Great Thinkers series: 11 Prints (1984-1988) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/2beb69a2-f104-48e6-9ece-ff1c270c6589/05-Ballerina+%281982%29-Mauricio-Lasansky.jpg Prints 1980-1989 Ballerina (1982) Edition: 70 46.5 x 23.25 in. | 118.3 x 59.1 cm. Intaglio: etching, engraving, soft ground, aquatint, drypoint, grease ground, electric stippler, scraping and burnishing. Five plates: two copper master plates, three zinc alloy and galvanized steel plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/64f62353-a8dd-4b96-8438-11afcf7ca82a/06-Einstein+%281984%29-Mauricio-Lasansky.jpg Prints 1980-1989 Einstein (1984) Edition: 70 25.75 x 24.12 in. | 64.4 x 62.2 cm. Intaglio: drypoint, scraping and burnishing. Two plates: one copper master plate, one zinc color plate. Great Thinkers series: 11 Prints (1984-1988) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/c113b303-ba69-40ff-9ae4-6b2cebf9a148/07-Freud+%281984%29-Mauricio-Lasansky.jpg Prints 1980-1989 Freud (1984) Edition: 70 25.75 x 23.62 in. | 65.4 x 59.9 cm. Intaglio: etching, drypoint, soft ground, Chine collé. Two plates: one copper master plate, one zinc color plate. Great Thinkers series: 11 Prints (1984-1988) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/bbffcd1a-0832-4d9d-bb86-c59454a86c77/08-Verdi+%281984%29-Mauricio-Lasansky.jpg Prints 1980-1989 Verdi (1984) Edition: 70 30.12 x 23.62 in. | 76.4 x 59.9 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing, Chine collé. Two plates: one copper master plate, one plexiglass color plate. Great Thinkers series: 11 Prints (1984-1988) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/fef824a8-6964-45bb-a3c4-b93ef54ce235/09-Lincoln+%281985%29-Mauricio-Lasansky.jpg Prints 1980-1989 Lincoln (1985) Edition: 70 50.75 x 28.0 in. | 128.8 x 71.1 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing, Chine collé, relief. Nine plates: one copper master plate, one galvanized color plate, one zinc color plate, one linoleum shaped plate, six assembled plates (zinc alloy). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/dee3bbd7-a0ef-47a4-869e-7a6869a9f97f/10-Goya+%281985%29-Mauricio-Lasansky.jpg Prints 1980-1989 Goya (1985) Edition: 70 25.37 x 26.62 in. | 64.5 x 52.3 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing, Chine collé. Two plates: one copper master plate, one plexiglass color plate. Great Thinkers series: 11 Prints (1984-1988) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/d50aa29a-27fe-4321-8030-e6bb96fa1756/11-Darwin+%281986%29-Mauricio-Lasansky.jpg Prints 1980-1989 Darwin (1986) Edition: 70 31.0 x 24.5 in. | 78.7 x 62.2 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing. Twenty plates: one copper master plate, one copper color plate, eighteen assembled shaped zinc plates. Some of the pieces used in Darwin are also found in several other prints, i.e., the roses and orchids. Great Thinkers series: 11 Prints (1984-1988) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/783f6f67-613b-4f03-b04b-ca578630fef9/12-Tolstoy+%281986%29-Mauricio-Lasansky.jpg Prints 1980-1989 Tolstoy (1986) Edition: 70 31.75 x 25.37 in. | 80.5 x 64.5 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing. Fifteen plates: one copper master plate, one copper color plate, one galvanized color plate, twelve assembled shaped plates. Great Thinkers series: 11 Prints (1984-1988) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/7bda5098-1259-4126-8865-c2c01a12c3d5/13-Dancer+%281986%29-Mauricio-Lasansky.jpg Prints 1980-1989 Dancer (1986) Edition: 70 20.87 x 17.87 in. | 53.1 x 45.2 cm. Intaglio: etching, drypoint, soft ground, electric stippler, scraping and burnishing. Two plates: one copper master plate, one plexiglass master plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/01b8c57c-8b12-467c-b906-22633576e689/14-Madame+Curie+%281987%29-Mauricio-Lasansky.jpg Prints 1980-1989 Madame Curie (1987) Edition: 70 29.62 x 23.5 in. | 75.2 x 59.7 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing. Thirteen plates: one plexiglass master plate, one copper color plate, eleven assembled shaped plates (zinc alloy). Great Thinkers series: 11 Prints (1984-1988) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/c7d0c411-cebe-471e-8826-6c341d5186e4/15-da+Vinci+%281987%29-Mauricio-Lasansky.jpg Prints 1980-1989 da Vinci (1987) Edition: 70 39.75 x 33.75 in. | 101.0 x 85.7 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing. Three plates: one copper master plate, two copper color plates. The eyes and lips were hand colored. Great Thinkers series: 11 Prints (1984-1988) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/cabb484a-973a-4790-a69d-f11cf73fc51e/16-Pasteur+%281987%29-Mauricio-Lasansky.jpg Prints 1980-1989 Pasteur (1987) Edition: 70 23.5 x 20.0 in. | 59.7 x 50.8 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing. Two plates: one copper master plate, one plexiglass color plate. Great Thinkers series: 11 Prints (1984-1988) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/e0b8e9f9-da65-479b-a72f-3ba58222aaee/18-American+Gothic+%231+%281987%29-Mauricio-Lasansky.jpg Prints 1980-1989 American Gothic #1 (1987) Edition: 70 64.5 x 26.0 in. | 163.8 x 66.0 cm. Intaglio: etching, drypoint, soft ground and embossing. Forty plates: thirty-three zinc and tin plates, seven plexiglass plates. Eight plates were not inked and only used for embossing. American Gothic series: 4 prints (1987) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0d0a014f-0798-4935-b1c5-f37661d5ae9f/17-My+Daughter+Maria+Jimena+%281987%29-Mauricio-Lasansky.jpg Prints 1980-1989 My Daughter Maria Jimena (1987) Edition: state, never editioned. 58.83 x 20.62 in. | 174.7 x 52.2 cm. Intaglio: engraving, etching, water ground, aquatint, grease ground, soft ground, electric stippler, scraping and burnishing. Nine plates: four copper master plates, five zinc alloy color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/9a9445af-07bf-49cd-a3e1-40b6abbadfc7/19-American+Gothic+%232+%281987%29-Mauricio-Lasansky.jpg Prints 1980-1989 American Gothic #2 (1987) Edition: 70 66.5 x 25.75 in. | 168.9 x 65.4 cm. Intaglio: etching, drypoint, soft ground and embossing. Forty-two plates: thirty-four zinc and tin plates, eight plexiglass plates. Ten plates were not inked and only used for embossing. American Gothic series: 4 prints (1987) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/5539feed-18ad-4577-846a-7b59131563e7/20-American+Gothic+%233+%281987%29-Mauricio-Lasansky.jpg Prints 1980-1989 American Gothic #3 (1987) Edition: 70 65.5 x 25.25 in. | 166.4 x 64.1 cm. Intaglio: etching, drypoint, soft ground and embossing. Twenty-three plates: nineteen zinc and tin plates, four plexiglass plates. Ten plates were not inked and only used for embossing. American Gothic series: 4 prints (1987) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/cca36126-2d5b-4e6c-a287-b350417ef8f3/21-American+Gothic+%234+%281987%29-Mauricio-Lasansky.jpg Prints 1980-1989 American Gothic #4 (1987) Edition: 70 64.0 x 25.75 in. | 162.6 x 65.4 cm. Intaglio: etching, drypoint, soft ground and embossing. Seventy-nine plates: sixty-nine zinc and tin plates, ten plexiglass plates. Nine plates were not inked and only used for embossing. American Gothic series: 4 prints (1987) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/9aaad0ea-d99c-4a6d-8f98-58ff393408c1/22-Abe+%281988%29-Mauricio-Lasansky.jpg Prints 1980-1989 Abe (1988) Edition: 50 45.62 x 28.75 in. | 115.8 x 73.1 cm. Color Relief Print: linoleum and woodcut. Two plates: one wood block color plate, one linoleum plate. All plates were hand inked and printed, no press was used. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/7ab5216d-165a-44a5-94c7-3eb9b1df06ce/23-Michelangelo+%281988%29-Mauricio-Lasansky.jpg Prints 1980-1989 Michael Angelo (1988) Edition: 70 36.12 x 33.12 in. | 91.6 x 83.9 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing. Three plates: one copper master plate, one copper color plate, one galvanized metal color plate. Great Thinkers series: 11 Prints (1984-1988) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/64d2d4bf-02dd-4e7c-9497-b7195830deda/24-Maria+J.+%281989%29-Mauricio-Lasansky.jpg Prints 1980-1989 Maria J. (1989) Edition: 70 78.62 x 27.5 in. | 199.7 x 69.8 cm. Intaglio: etching, drypoint, electric stippler, scraping and burnishing. Two plates: one copper master plate printed twice, one plexiglass color plate printed twice. https://www.lasanskyart.com/prints-1990-1997 daily 0.75 2024-06-10 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/a8908f3e-5885-4cee-9797-e04a19438921/01-My+Father+as+a+Young+Man+%281990%29-Mauricio-Lasansky.jpg Prints 1990-1997 My Father as a Young Man (1990) Edition: 70 75.0 x 25.5 in. | 190.5 x 64.8 cm. Intaglio: etching, drypoint and electric stippler. Six plates: three copper master plates, one tin master plate, two plexiglass color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/15d06af7-3a1d-410d-a7e3-febb5e27aa14/02-The+Board+%281990%29-Mauricio-Lasansky.jpg Prints 1990-1997 The Board (1990) Edition: 70 27.5 x 29.75 in. | 69.8 x 75.6 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing. Thirty plates: one plexiglass master, twenty-nine assembled shaped plates (zinc alloy). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/4def4791-40fb-4107-bc22-cb2bcea07423/03-Sandro+Study+in+Red+%281990%29-Mauricio-Lasansky.jpg Prints 1990-1997 Sandro Study in Red (1990) Edition: 70 28.75 x 20.5 in. | 73.0 x 52.1 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing. Six plates: one copper master plate, three copper color plates, one plexiglass color plate, one tin color plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/8b8fc79e-8427-47a0-b190-8524837c6fb1/04-Mardi+Gras+Princess+%281991%29-Mauricio-Lasansky.jpg Prints 1990-1997 Mardi Gras Princess (1991) Edition: 70 45.5 x 23.75 in. | 115.6 x 60.3 cm. Intaglio: etching, drypoint, soft ground, experimental paint ground. Twenty-three plates: two copper master plates, one plexiglass color master plate, twenty assembled shaped plates (zinc alloy). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/618337e2-b87f-4264-9a93-424a9ed1839b/05-Little+Mennonite+Girl+%281991%29-Mauricio-Lasansky.jpg Prints 1990-1997 Little Mennonite Girl (1991) Edition: 70 47.5 x 24.0 in. | 120.6 x 61.0 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing. Seventeen plates: three copper master plates, one plexiglass color master plate, one card board shaped plate, thirteen assembled shaped plates (zinc alloy). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/76363d88-a9c3-4c86-b9a5-6558cbbb5607/06-The+Cat+the+Clock+and+Ballerina+%281991%29-Mauricio-Lasansky.jpg Prints 1990-1997 The Cat the Clock and Ballerina (1991) Edition: 70 75.5 x 35.5 in. | 191.8 x 90.2 cm. Intaglio: etching, drypoint, electric stippler, extensive scraping and burnishing. Thirteen plates: one copper master plate, one plexiglass color master plate, one cardboard plate (print dry), ten assembled shaped plates (zinc alloy). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/c44a8b3d-ac1b-4bc5-a8f7-c7c3c9311c7a/07-Sandro+Study+%281991%29-Mauricio-Lasansky.jpg Prints 1990-1997 Sandro Study (1991) Edition: 70 22.0 x 18.75 in. | 55.9 x 47.6 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing. One plate: one copper master plate which is the same plate as the copper master used in Sandro Study in Red. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/05807594-598c-48de-8e73-2305b47149ad/08-Study+of+Girl+%281991%29-Mauricio-Lasansky.jpg Prints 1990-1997 Study of Girl (1991) Edition: 70 16.87 x 17.87 in. | 55.9 x 47.6 cm. Intaglio: etching, drypoint, scraping and burnishing. One plate: one copper master plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/5d78b94d-b899-45a3-9939-7c59c8e40f2d/09-Self-Portait+%281997%29-Mauricio-Lasansky.jpg Prints 1990-1997 Self-Portrait (1991) Edition: 70 23.87 x 25.25 in. | 60.4 x 64.3 cm. Intaglio: etching, drypoint, electric stippler. One plate: one copper master plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3c87882b-abf8-4ad0-809f-09a4633ac621/10-Tomas+as+a+Little+Boy+%281992%29-Mauricio-Lasansky.jpg Prints 1990-1997 Tomas as a Little Boy (1992) Edition: 70 23.87 x 15.87 in. | 60.7 x 40.4 cm. Intaglio: etching, drypoint. Three plates: one copper master plate, one plexiglass color master plate, one zinc alloy shaped plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3af63e40-1fb0-443b-a65f-18d960475ebe/11-Little+Boy+%281992%29-Mauricio-Lasansky.jpg Prints 1990-1997 Little Boy (1992) Edition: 70 23.87 x 16.0 in. | 60.7 x 40.6 cm. Intaglio: etching, soft ground, drypoint, electric stippler, scraping and burnishing. Thirteen plates: one copper master plate, one copper color plate, one plexiglass color plate, ten assembled shaped plates (zinc alloy). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/48982605-3462-4928-9a47-0abcb886b8a5/12-Maria+de+Los+Angeles+%28Blue%29+%281992%29-Mauricio-Lasansky.jpg Prints 1990-1997 Maria de Los Angeles (Blue) (1992) Edition: 25 32.0 x 21.62 in. | 81.3 x 54.9 cm. Intaglio: etching, engraving, soft ground, drypoint, grease ground, aquatint, water ground, electric stippler, scraping and burnishing. Sixteen plates: four copper master plates, one zinc color plate, one galvanized steel color plate, ten assembled shaped plates (zinc alloy). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/583984a4-7de5-450f-b680-0fcf77cdd6b9/13-Maria+de+Los+Angeles+%28Green%29+%281992%29-Mauricio-Lasansky.jpg Prints 1990-1997 Maria de Los Angeles (Green) (1992) Edition: 25 32.0 x 21.62 in. | 81.3 x 54.9 cm. Intaglio: etching, engraving, soft ground, drypoint, grease ground, aquatint, water ground, electric stippler, scraping and burnishing. Sixteen plates: four copper master plates, one zinc color plate, one galvanized steel color plate, ten assembled shaped plates (zinc alloy). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/439abd36-afb8-4fdc-a4c2-98145351bb9f/14-Maria+de+Los+Angeles+%28Yellow%29+%281992%29-Mauricio-Lasansky.jpg Prints 1990-1997 Maria de Los Angeles (Yellow) (1992) Edition: 25 32.0 x 21.62 in. | 81.3 x 54.9 cm. Intaglio: etching, engraving, soft ground, drypoint, grease ground, aquatint, water ground, electric stippler, scraping and burnishing. Sixteen plates: four copper master plates, one zinc color plate, one galvanized steel color plate, ten assembled shaped plates (zinc alloy). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/4822b32c-d7ef-4850-a796-49a70af25eea/15-Maria+de+Los+Angeles+%28Ochre%29+%281992%29-Mauricio-Lasansky.jpg Prints 1990-1997 Maria de Los Angeles (Ochre) (1992) Edition: 25 32.0 x 21.62 in. | 81.3 x 54.9 cm. Intaglio: etching, engraving, soft ground, drypoint, grease ground, aquatint, water ground, electric stippler, scraping and burnishing. Sixteen plates: four copper master plates, one zinc color plate, one galvanized steel color plate, ten assembled shaped plates (zinc alloy). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/5fcf5417-aafa-46ba-8e58-b03ae853b12b/16-Maria+de+Los+Angeles+%28Light+Red%29+%281992%29-Mauricio-Lasansky.jpg Prints 1990-1997 Maria de Los Angeles (Light Red) (1992) Edition: 25 32.0 x 21.62 in. | 81.3 x 54.9 cm. Intaglio: etching, engraving, soft ground, drypoint, grease ground, aquatint, water ground, electric stippler, scraping and burnishing. Sixteen plates: four copper master plates, one zinc color plate, one galvanized steel color plate, ten assembled shaped plates (zinc alloy). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3e7d2647-28b7-4e6b-b48c-92429bf185af/17-Maria+de+Los+Angeles+%28Dark+Red%29+%281992%29-Mauricio-Lasansky.jpg Prints 1990-1997 Maria de Los Angeles (Dark Red) (1992) Edition: 25 32.0 x 21.62 in. | 81.3 x 54.9 cm. Intaglio: etching, engraving, soft ground, drypoint, grease ground, aquatint, water ground, electric stippler, scraping and burnishing. Sixteen plates: four copper master plates, one zinc color plate, one galvanized steel color plate, ten assembled shaped plates (zinc alloy). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/34ece47c-5048-4003-81e5-248337d44646/18-Tomas+My+Son+%281992%29+state-Mauricio-Lasansky.jpg Prints 1990-1997 Tomas My Son (1992) Edition: state Intaglio<br Two plates:one copper master plate, one plexiglass color plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/cb9088e9-2dff-4840-a6c6-b22bf3c2be4b/19-Palenque+IV+%281993%29-Mauricio-Lasansky.jpg Prints 1990-1997 Palenque IV (1993) Edition: 70 29.0 x 39.62 in. | 73.7 x 100.5 cm. Intaglio: etching, soft ground, drypoint and relief embossing. Fifty-five plates: one plexiglass master plate, fifty-four assembled shaped color plates (zinc alloy and galvanized steel). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/b11a8f9f-6d8d-4988-a2a2-e02ec5504479/20-Palenque+V+%281993%29-Mauricio-Lasansky.jpg Prints 1990-1997 Palenque V (1993) Edition: 70 46.75 x 30.62 in. | 118.8 x 77.8 cm. Intaglio: etching, soft ground, drypoint and relief embossing. Sixty-three plates: one plexiglass master plate, one card board cut-out embossing plate, sixty-one assembled shaped color and black plates (zinc alloy). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/85bf64a9-e8ef-49c3-9918-905abd349c1d/21-Young+Artist+%281994%29-Mauricio-Lasansky.jpg Prints 1990-1997 Young Artist (1994) Edition: 70 23.62 x 17.87 in. | 60.66 x 45.42 cm. Intaglio: drypoint, scraping and burnishing. Three plates: one copper master plate, one zinc color plate, one plexiglass color plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/e4d6659d-9ce7-452b-9c0a-537db391db4f/22-Study+of+Madame+Curie+%281994%29-Mauricio-Lasansky.jpg Prints 1990-1997 Study of Madame Curie (1994) Edition: 70 36.0 x 24.0 in. | 91.44 x 60.96 cm. Intaglio: etching, drypoint and electric stippler. One plate: one copper master plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/95219441-2897-450a-93e3-5c797d6411c4/23-A+Late+Portrait+of+Einstein+%281994%29-Mauricio-Lasansky.jpg Prints 1990-1997 A Late Portrait of Einstein (1994) Edition: 70 24.25 x 20.0 in. | 60.6 x 50.8 cm. Intaglio: etching, drypoint, scraping and burnishing. Three plates: one copper master plate, one zinc color plate, one plexiglass color plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/8e4d3216-c392-4538-86b8-f2a645102a2c/24-The+Artist+and+His+Wife+Emilia+Barragan+%281994%29-Mauricio-Lasansky.jpg Prints 1990-1997 The Artist and His Wife Emilia Barragan (1994) Edition: 70 66.87 x 36.25 in. | 169.3 x 92.1 cm. Intaglio: etching, drypoint and scraping and burnishing. Twenty-eight plates: three color master plates, two plexiglass color plates, fourteen assembled shaped tin plates, nine dry printed tin embossing plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/e09806b1-6e7d-47eb-b692-6e0f4402d093/25-Jimena+%281995%29+state-Mauricio-Lasansky.jpg Prints 1990-1997 Jimena (1995) state Intaglio https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/e87c53e8-e10c-4cde-a280-3bb2ce8fdfc5/26-The+Clown+%281995%29-Mauricio-Lasansky.jpg Prints 1990-1997 The Clown (1995) Edition: 70 79.0 x 40.0 in. | 200.66 x 101.6 cm. Intaglio: etching, drypoint, scraping and burnishing. Twenty-two plates: three copper black master plate, two plexiglass color master plates, seventeen assembled shaped zinc and tin plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/a59143ca-bc3a-42b2-bbcb-1bca05c28232/27-Emiliano+Zapata+%281995%29-Mauricio-Lasansky.jpg Prints 1990-1997 Emiliano Zapata (1995) Edition: 70 24.0 x 17.0 in. | 60.96 x 43.18 cm. Intaglio: drypoint. One plate: one copper black master plate printed once. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/fce90946-1143-4228-b18d-8593a7f495e0/28-Abraham+Lincoln+The+President+%281996%29-Mauricio-Lasansky.jpg Prints 1990-1997 Abraham Lincoln The President (1996) Edition: 70 40.0 x 24.0 in. | 101.6 x 60.96 cm. Intaglio: etching, drypoint, scraping and burnishing. Seven plates: two copper black master plates, one zinc color master plate, four assembled shaped zinc plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/6146977d-73f7-4729-a650-95b7af8b74eb/29-Emiliano+Zapata+and+Diego+Bolivar+Our+Grandchildren+%281997%29-Mauricio-Lasansky.jpg Prints 1990-1997 Emiliano Zapata and Diego Bolivar Our Grandchildren (1997) Edition: 70 60.0 x 38.5 in. | 152.4 x 97.79 cm. Intaglio: etching, engraving, soft ground, drypoint, aquatint, open-bite areas, electric stippler, scraping and burnishing. Twenty-one plates: two copper black master plates, four zinc color master plates, two plexiglass color plates, thirteen assembled shaped copper, zinc and tin plates. This print required seven separate runs through the press. Note: this print employs the master plate from Boy with Burro. The burro appears largely unchanged in both prints. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3d82e660-1cef-4f85-a27b-ed35b2d3bc66/30-Study+of+Gregorian+Chanter+%281997%29-Mauricio-Lasansky.jpg Prints 1990-1997 Study of Gregorian Chanter (1997) Edition: 25 Intaglio https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/b36d5040-833e-4522-aeef-014f4ed84cb8/31-The+Dissapeared+Son+%281997%29-Mauricio-Lasansky.jpg Prints 1990-1997 The Disappeared Son (1997) Edition: state Intaglio https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0905904a-9237-4d72-91b8-f369bc739652/32-The+Chanter+%281997%29+state-Mauricio-Lasansky.jpg Prints 1990-1997 The Chanter (1997) Edition: state Intaglio https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/6f525c80-1938-4aac-b609-99f1d22e256f/33-Maria+Jimena+with+Cat+%281976-1997%29+state-Mauricio-Lasansky.jpg Prints 1990-1997 Maria Jimena with Cat (1976-1997) Edition: state Intaglio https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/5c5a12ef-f934-4a08-bfd6-b5668b524eee/34-Orphan+Child+%281997%29+state-Mauricio-Lasansky.jpg Prints 1990-1997 Orphan Child (1997) Edition: state Intaglio https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/6bd0c66b-74a2-44b7-bc73-8f849d2b2272/35-Self-Portait+%281997%29-Mauricio-Lasansky.jpg Prints 1990-1997 Self-Portrait (1997) Edition: 70 23.87 x 25.25 in. | 60.4 x 64.3 cm. Intaglio: etching, drypoint and electric stippler. Two plates: one copper master plates, one plexiglass color master plate. https://www.lasanskyart.com/print-series daily 0.75 2024-06-06 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3842515b-ad42-4c7f-a0ed-8ce06524394b/03-For+an+Eye+an+Eye+I+%281946-1948%29-Mauricio-Lasansky.jpg Print Series For an Eye an Eye series (1946-1948) 4 prints https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/49922bad-e61f-4816-a820-0b01fbcad632/23-Objects+in+Space+%231+%281979%29-Mauricio-Lasansky.jpg Print Series Objects in Space series (1979) 3 prints https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/eacafbde-a3b7-4c44-b251-398620bb9d0b/09-Kaddish+%235+%281976%29-Mauricio-Lasansky.jpg Print Series Kaddish series (1976-1978) 8 prints https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/cca36126-2d5b-4e6c-a287-b350417ef8f3/21-American+Gothic+%234+%281987%29-Mauricio-Lasansky.jpg Print Series American Gothic series (1987) 4 prints https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/7ab5216d-165a-44a5-94c7-3eb9b1df06ce/23-Michelangelo+%281988%29-Mauricio-Lasansky.jpg Print Series Great Thinkers series (1984-1988) 11 prints https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/56621441-4693-4106-b9f9-444699813364/19-Cosmos+Scapes+%232+%281979%29-Mauricio-Lasansky.jpg Print Series Cosmos Scapes series (1979) 5 prints https://www.lasanskyart.com/for-an-eye-an-eye-series daily 0.75 2024-07-18 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3842515b-ad42-4c7f-a0ed-8ce06524394b/03-For+an+Eye+an+Eye+I+%281946-1948%29-Mauricio-Lasansky.jpg For an Eye an Eye series For an Eye an Eye I (1946-1948) Edition: 50 26.37 x 21.06 in. | 66.8 x 53.6 cm. Intaglio: etching, soft ground, aquatint, open-bite areas, extensive scraping and burnishing. One plate: one copper plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0efb91bf-e652-4013-a18a-3ef00fd125f8/04-For+an+Eye+an+Eye+II+%281946-1948%29-Mauricio-Lasansky.jpg For an Eye an Eye series For an Eye an Eye II (1946-1948) Edition: 50 26.12 x 21.62 in. | 66.8 x 53.6 cm. Intaglio: etching, soft ground, aquatint, gouged-out white areas, electric stippler, extensive scraping and burnishing. One plate: one copper plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/dce4973a-ce06-44cf-9429-c54b92247236/05-For+an+Eye+an+Eye+III+%281946-1948%29-Mauricio-Lasansky.jpg For an Eye an Eye series For an Eye an Eye III (1946-1948) Edition: 50 27.0 x 21.5 in. | 68.5 x 54.6 cm. Intaglio: etching, aquatint, open-bite areas, lift ground, electric stippler, extensive scraping and burnishing. One plate: one copper plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/ceff040c-0396-4088-b38e-cccecb84acab/06-For+an+Eye+an+Eye+IV+%281946-1948%29-Mauricio-Lasansky.jpg For an Eye an Eye series For an Eye an Eye IV (1946-1948) Edition: 50 26.62 x 21.06 in. | 66.8 x 53.6 cm. Intaglio: etching, engraving, stopped-out open-bite areas, aquatint, electric stippler, extensive scraping and burnishing. One plate: one copper plate. https://www.lasanskyart.com/kaddish-series daily 0.75 2024-07-18 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/8b7230a7-1560-4eb5-afaf-1f71cdf09793/06-Kaddish+%231+%281976%29-Mauricio-Lasansky.jpg Kaddish series Kaddish #1 (1976) Edition: 70 44.12 x 24.87 in. | 111.9 x 63.2 cm. Intaglio: etching, engraving, soft ground, aquatint, electric stippler, scraping and burnishing. Ten plates: two copper master plates, eight assembled shaped color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/eacafbde-a3b7-4c44-b251-398620bb9d0b/09-Kaddish+%235+%281976%29-Mauricio-Lasansky.jpg Kaddish series Kaddish #5 (1976) Edition: 70 41.62 x 23.75 in. | 105.8 x 60.3 cm. Intaglio: etching, engraving, soft ground, aquatint, electric stippler, scraping and burnishing. Nineteen plates: four copper master plates, fifteen assembled shaped color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/ce297d23-3a79-440f-8488-8ddd4b061759/07-Kaddish+%232+%281976%29-Mauricio-Lasansky.jpg Kaddish series Kaddish #2 (1976) Edition: 70 41.06 x 25.06 in. | 104.5 x 63.5 cm. Intaglio: etching, engraving, soft ground, aquatint, electric stippler, scraping and burnishing. Thirteen plates: four copper master plates, nine assembled shaped color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0b27fd82-a364-4efe-9e40-2a9ad106e510/11-Kaddish+%236+%281977%29-Mauricio-Lasansky.jpg Kaddish series Kaddish #6 (1977) Edition: 70 39.87 x 23.25 in. | 101.8 x 60.7 cm. Intaglio: etching, engraving, soft ground, aquatint, electric stippler, scraping and burnishing. Twenty-three plates: one copper master plates, one zinc alloy color master plate, twenty-one assembled shaped color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1b8f1e02-a8b8-437a-9450-cc469de583a9/08-Kaddish+%233+%281976%29-Mauricio-Lasansky.jpg Kaddish series Kaddish #3 (1976) Edition: 70 38.5 x 24.5 in. | 97.5 x 62.2 cm. Intaglio: etching, engraving, soft ground, aquatint, electric stippler, scraping and burnishing. Seventeen plates: four copper master plates, thirteen assembled shaped color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/f650f895-7c0f-4567-b276-d7a1059bbc05/12-Kaddish+%237+%281977%29-Mauricio-Lasansky.jpg Kaddish series Kaddish #7 (1977) Edition: 70 44.62 x 24.62 in. | 113.1 x 62.6 cm. Intaglio: etching, engraving, soft ground, aquatint, electric stippler, scraping and burnishing. Twenty-two plates: two copper master plates, twenty assembled shaped color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3c40c1db-3d4d-4869-b247-f93efff7f046/10-Kaddish+%238+%281976%29-Mauricio-Lasansky.jpg Kaddish series Kaddish #8 (1976) Edition: 70 45.62 x 23.62 in. | 115.9 x 59.9 cm. Intaglio: etching, engraving, soft ground, aquatint, electric stippler, scraping and burnishing. Twenty-six plates: two copper master plates, twenty-four assembled shaped color plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/f2dc5217-b5d1-4750-8994-01a4d6eadda1/13-Kaddish+%234+%281978%29-Mauricio-Lasansky.jpg Kaddish series Kaddish #4 (1978) Edition: 70 45.62 x 23.62 in. | 115.9 x 59.9 cm. Intaglio: etching, engraving, soft ground, aquatint, electric stippler, scraping and burnishing. Forty-one plates: five copper master plates, thirty-six assembled shaped color plates. https://www.lasanskyart.com/cosmos-scapes-series daily 0.75 2024-07-18 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1cb2151e-0c10-4597-ad86-4923d24fc73e/18-Cosmos+Scapes+%231+%281979%29-Mauricio-Lasansky.jpg Cosmos Scapes series Cosmos Scapes #1 (1979) Edition: 70 24.25 x 25.5 in. | 61.5 x 64.8 cm. Intaglio: etching, soft ground, aquatint, lift ground, oxygen bite. Thirty-four plates: one copper master plate, two larger zinc alloy color plates, thirty-one assembled shaped plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/56621441-4693-4106-b9f9-444699813364/19-Cosmos+Scapes+%232+%281979%29-Mauricio-Lasansky.jpg Cosmos Scapes series Cosmos Scapes #2 (1979) Edition: 70 24.0 x 27.75 in. | 61.0 x 70.4 cm. Intaglio: etching, soft ground, aquatint, lift ground, oxygen bite. Thirty-two plates: one copper master plate, two larger zinc alloy plates, twenty-nine assembled shaped plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/4792a5ce-e53e-47d8-b90c-97df8bbdccdf/20-Cosmos+Scapes+%233+%281979%29-Mauricio-Lasansky.jpg Cosmos Scapes series Cosmos Scapes #3 (1979) Edition: 70 23.75 x 27.75 in. | 60.8 x 70.4 cm. Intaglio: etching, soft ground, aquatint, lift ground, oxygen bite. Sixteen plates: one copper master plate, two larger zinc alloy plates, thirteen assembled shaped plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/ed46d8e7-f965-4996-8a62-05af163e206d/21-Cosmos+Scapes+%234+%281979%29-Mauricio-Lasansky.jpg Cosmos Scapes series Cosmos Scapes #4 (1979) Edition: 70 20.0 x 26.5 in. | 51.4 x 67.4 cm. Intaglio: etching, soft ground, aquatint, lift ground, oxygen bite. Thirty-five plates: one copper master plate, two larger zinc alloy plates, thirty-two assembled shaped plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3a631122-4d3d-4ff1-884b-b72b08dce807/22-Cosmos+Scapes+%235+%281979%29-Mauricio-Lasansky.jpg Cosmos Scapes series Cosmos Scapes #5 (1979) Edition: 70 22.62 x 26.5 in. | 57.6 x 67.4 cm. Intaglio: etching, soft ground, aquatint, lift ground, oxygen bite. Fifty-six plates: one copper master plate, two larger zinc alloy plates, fifty-three assembled shaped plates. https://www.lasanskyart.com/objects-in-space-series daily 0.75 2024-07-18 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/49922bad-e61f-4816-a820-0b01fbcad632/23-Objects+in+Space+%231+%281979%29-Mauricio-Lasansky.jpg Objects in Space series Objects in Space #1 (1979) Edition: 70 34.5 x 26.5 in. | 87.8 x 67.5 cm. Intaglio: chine collé, inked printing and dry printing. Multiple plates: multiple cut, assembled shaped plates, wire (copper, zinc alloy, tin). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/efe436a9-148d-4a6f-941b-b0282dd3f5de/24-Objects+in+Space+%232+%281979%29-Mauricio-Lasansky.jpg Objects in Space series Objects in Space #2 (1979) Edition: 70 21.25 x 29.0 in. | 54.0 x 73.8 cm. Intaglio: chine collé, inked printing and dry printing. Multiple plates: multiple cut, assembled shaped plates, wire (copper, zinc alloy, tin). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3970d428-b944-4b57-9c73-f55d64f0d06a/25-Objects+in+Space+%233+%281979%29-Mauricio-Lasansky.jpg Objects in Space series Objects in Space #3 (1979) Edition: 70 23.5 x 28.25 in. | 59.7 x 70.7 cm. Intaglio: etching, soft ground, aquatint, oxygen bite. Multiple plates: one copper master plate; multiple cut, assembled shaped plates, wire (copper, zinc alloy, tin). https://www.lasanskyart.com/great-thinkers-series daily 0.75 2024-07-18 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/99ba934e-2ae2-470b-b820-eca0d046a588/04-Mr.+President-+A+Study+of+Lincoln+%281981%29-Mauricio-Lasansky.jpg Great Thinkers series Mr. President: A Study of Lincoln (1981) Edition: 70 24.5 x 20 in. | 62.4 x 51.0 cm. Intaglio: etching, engraving, soft ground, lift ground, aquatint, drypoint, scraping and burnishing. Seven plates: one copper master plate, one zinc alloy color master plate, five cut shaped assembled plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/64f62353-a8dd-4b96-8438-11afcf7ca82a/06-Einstein+%281984%29-Mauricio-Lasansky.jpg Great Thinkers series Einstein (1984) Edition: 70 25.75 x 24.12 in. | 64.4 x 62.2 cm. Intaglio: drypoint, scraping and burnishing. Two plates: one copper master plate, one zinc color plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/c113b303-ba69-40ff-9ae4-6b2cebf9a148/07-Freud+%281984%29-Mauricio-Lasansky.jpg Great Thinkers series Freud (1984) Edition: 70 25.75 x 23.62 in. | 65.4 x 59.9 cm. Intaglio: etching, drypoint, soft ground, chine colle. Two plates: one copper master plate, one zinc color plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/bbffcd1a-0832-4d9d-bb86-c59454a86c77/08-Verdi+%281984%29-Mauricio-Lasansky.jpg Great Thinkers series Verdi (1984) Edition: 70 30.12 x 23.62 in. | 76.4 x 59.9 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing, chine colle. Two plates: one copper master plate, one plexiglass color plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/dee3bbd7-a0ef-47a4-869e-7a6869a9f97f/10-Goya+%281985%29-Mauricio-Lasansky.jpg Great Thinkers series Goya (1985) Edition: 70 25.37 x 26.62 in. | 64.5 x 52.3 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing, chine colle. Two plates: one copper master plate, one plexiglass color plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/d50aa29a-27fe-4321-8030-e6bb96fa1756/11-Darwin+%281986%29-Mauricio-Lasansky.jpg Great Thinkers series Darwin (1986) Edition: 70 31.0 x 24.5 in. | 78.7 x 62.2 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing. Twenty plates: one copper master plate, one copper color plate, eighteen assembled shaped zinc plates. Some of the pieces used in Darwin are also found in several other prints, i.e., the roses and orchids. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/783f6f67-613b-4f03-b04b-ca578630fef9/12-Tolstoy+%281986%29-Mauricio-Lasansky.jpg Great Thinkers series Tolstoy (1986) Edition: 70 31.75 x 25.37 in. | 80.5 x 64.5 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing. Fifteen plates: one copper master plate, one copper color plate, one galvanized color plate, twelve assembled shaped plates. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/01b8c57c-8b12-467c-b906-22633576e689/14-Madame+Curie+%281987%29-Mauricio-Lasansky.jpg Great Thinkers series Madame Curie (1987) Edition: 70 29.62 x 23.5 in. | 75.2 x 59.7 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing. Thirteen plates: one plexiglass master plate, one copper color plate, eleven assembled shaped plates (zinc alloy). https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/c7d0c411-cebe-471e-8826-6c341d5186e4/15-da+Vinci+%281987%29-Mauricio-Lasansky.jpg Great Thinkers series da Vinci (1987) Edition: 70 39.75 x 33.75 in. | 101.0 x 85.7 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing. Three plates: one copper master plate, two copper color plates. The eyes and lips were hand colored. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/cabb484a-973a-4790-a69d-f11cf73fc51e/16-Pasteur+%281987%29-Mauricio-Lasansky.jpg Great Thinkers series Pasteur (1987) Edition: 70 23.5 x 20.0 in. | 59.7 x 50.8 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing. Two plates: one copper master plate, one plexiglass color plate. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/7ab5216d-165a-44a5-94c7-3eb9b1df06ce/23-Michelangelo+%281988%29-Mauricio-Lasansky.jpg Great Thinkers series Michael Angelo (1988) Edition: 70 36.12 x 33.12 in. | 91.6 x 83.9 cm. Intaglio: etching, drypoint, soft ground, scraping and burnishing. Three plates: one copper master plate, one copper color plate, one galvanized metal color plate. https://www.lasanskyart.com/american-gothic-series daily 0.75 2024-07-18 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/e0b8e9f9-da65-479b-a72f-3ba58222aaee/18-American+Gothic+%231+%281987%29-Mauricio-Lasansky.jpg American Gothic series American Gothic #1 (1987) Edition: 70 64.5 x 26.0 in. | 163.8 x 66.0 cm. Intaglio: etching, drypoint, soft ground and embossing. Forty plates: thirty-three zinc and tin plates, seven plexiglass plates. Eight plates were not inked and only used for embossing. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/9a9445af-07bf-49cd-a3e1-40b6abbadfc7/19-American+Gothic+%232+%281987%29-Mauricio-Lasansky.jpg American Gothic series American Gothic #2 (1987) Edition: 70 66.5 x 25.75 in. | 168.9 x 65.4 cm. Intaglio: etching, drypoint, soft ground and embossing. Forty-two plates: thirty-four zinc and tin plates, eight plexiglass plates. Ten plates were not inked and only used for embossing. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/5539feed-18ad-4577-846a-7b59131563e7/20-American+Gothic+%233+%281987%29-Mauricio-Lasansky.jpg American Gothic series American Gothic #3 (1987) Edition: 70 65.5 x 25.25 in. | 166.4 x 64.1 cm. Intaglio: etching, drypoint, soft ground and embossing. Twenty-three plates: nineteen zinc and tin plates, four plexiglass plates. Ten plates were not inked and only used for embossing. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/cca36126-2d5b-4e6c-a287-b350417ef8f3/21-American+Gothic+%234+%281987%29-Mauricio-Lasansky.jpg American Gothic series American Gothic #4 (1987) Edition: 70 64.0 x 25.75 in. | 162.6 x 65.4 cm. Intaglio: etching, drypoint, soft ground and embossing. Seventy-nine plates: sixty-nine zinc and tin plates, ten plexiglass plates. Nine plates were not inked and only used for embossing. https://www.lasanskyart.com/articles daily 0.75 2024-08-14 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/e06f10fa-49b8-4b80-af08-389f0e9f3f4c/13-Mauricio+with+his+longtime+assistant+Jon+Fasanelli-Cawelti+editioning+The+Cat+the+Clock+and+the+Ballerina+1991-Mauricio-Lasansky.jpg Articles and Publications Mauricio with his longtime assistant, Jon Fasanelli-Cawelti printing The Cat the Clock and the Ballerina, 1991 https://www.lasanskyart.com/an-artistic-life daily 0.75 2024-06-14 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/122372f6-3d64-4e68-95e7-cc03cf8d8f84/02-Mauricio+mixing+ink+in+his+studio%2C+Vinalhaven+ME+1960-Mauricio-Lasansky.jpg An Artistic Life Mauricio mixing ink in his studio, Vinalhaven, ME ca. 1960 https://www.lasanskyart.com/new-contexts daily 0.75 2024-06-14 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/d53aa235-8431-47a4-a958-9b0a32349a92/04-Mauricio+with+students+at+the+University+of+Iowa+art+school+Iowa+City+IA+1946-Mauricio-Lasansky.jpg New Contexts Mauricio with students at the University of Iowa art school, Iowa City, IA ca. 1946 https://www.lasanskyart.com/mauricio-lasansky-on-his-art daily 0.75 2024-06-14 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/725ada84-813b-4574-83fc-b1f441881c8c/07-Mauricio+Lasansky+working+on+The+Nazi+Drawings+in+his+studio+1962+Vinalhaven+ME-Mauricio-Lasansky.jpg Mauricio Lasansky on His Art Mauricio Lasansky working on The Nazi Drawings in his studio, 1962, Vinalhaven, ME https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1717451349921-BGYCL4RSC1IIS1PP09AE/studio_full_large.jpg Mauricio Lasansky on His Art The artist's Iowa City studio workspace. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1717451350660-LFW5IE627KGI3RLIXWX7/tools_1_large.jpg Mauricio Lasansky on His Art The artist's tools. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1717451350760-JF2BFTU31IZ8YHYYA3EF/tools_2_large.jpg Mauricio Lasansky on His Art The artist's tools. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1717451351428-DT0GCIMZHEVLCVVTE9RH/tools_3_large.jpg Mauricio Lasansky on His Art The artist's tools. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1717451349960-URS670X99MDG46GYGYIY/cat_clock_plate_in_studio_large.jpg Mauricio Lasansky on His Art Plate for The Cat The Clock and Ballerina in progress. https://www.lasanskyart.com/the-prints-of-mauricio-lasansky daily 0.75 2024-06-14 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/8e4d3216-c392-4538-86b8-f2a645102a2c/24-The+Artist+and+His+Wife+Emilia+Barragan+%281994%29-Mauricio-Lasansky.jpg The Prints of Mauricio Lasansky The Artist and His Wife Emilia Barragan (1994) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/64d2d4bf-02dd-4e7c-9497-b7195830deda/24-Maria+J.+%281989%29-Mauricio-Lasansky.jpg The Prints of Mauricio Lasansky Maria J. (1989) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3af63e40-1fb0-443b-a65f-18d960475ebe/11-Little+Boy+%281992%29-Mauricio-Lasansky.jpg The Prints of Mauricio Lasansky Little Boy (1992) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/e87c53e8-e10c-4cde-a280-3bb2ce8fdfc5/26-The+Clown+%281995%29-Mauricio-Lasansky.jpg The Prints of Mauricio Lasansky The Clown (1995) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/49922bad-e61f-4816-a820-0b01fbcad632/23-Objects+in+Space+%231+%281979%29-Mauricio-Lasansky.jpg The Prints of Mauricio Lasansky Objects in Space #1 (1979) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/48982605-3462-4928-9a47-0abcb886b8a5/12-Maria+de+Los+Angeles+%28Blue%29+%281992%29-Mauricio-Lasansky.jpg The Prints of Mauricio Lasansky Maria de Los Angeles (Blue) (1992) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/fce90946-1143-4228-b18d-8593a7f495e0/28-Abraham+Lincoln+The+President+%281996%29-Mauricio-Lasansky.jpg The Prints of Mauricio Lasansky Abraham Lincoln The President (1996) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/ed46d8e7-f965-4996-8a62-05af163e206d/21-Cosmos+Scapes+%234+%281979%29-Mauricio-Lasansky.jpg The Prints of Mauricio Lasansky Cosmos Scapes #4 (1979) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/9aaad0ea-d99c-4a6d-8f98-58ff393408c1/22-Abe+%281988%29-Mauricio-Lasansky.jpg The Prints of Mauricio Lasansky Abe (1988) https://www.lasanskyart.com/the-artists-hand-the-prints-of-mauricio-lasansky daily 0.75 2024-06-14 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1715808031699-VNWJF901A2ZXPSMWCVMW/Campesinos+%281934%29-Mauricio-Lasansky.jpg The Artist's Hand: The Prints of Mauricio Lasansky Campesinos (1934) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1715808047999-IMNT871GB12B0LPU2VWO/Suicidas+%281935%29-Mauricio-Lasansky.jpg The Artist's Hand: The Prints of Mauricio Lasansky Suicidas (1935) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1ec9c309-4a2b-449f-83fc-11a3dd114dc3/58-Estudio+para+un+Auto+Retrato+%281943%29-Mauricio-Lasansky.jpg The Artist's Hand: The Prints of Mauricio Lasansky Estudio para un Auto Retrato (1943) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/7ff9b944-690e-402c-8040-f43a13408a0d/02-Doma+%281944%29-Mauricio-Lasansky.jpg The Artist's Hand: The Prints of Mauricio Lasansky Doma (1944) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/52b5ed61-af62-4392-af2b-da775ce9dca0/12-Sol+y+Luna+%281945%29-Mauricio-Lasansky.jpg The Artist's Hand: The Prints of Mauricio Lasansky Sol Y Luna (1945) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1f007628-7161-48cf-af45-7f40ef25816a/02-Dachau+%281946%29-Mauricio-Lasansky.jpg The Artist's Hand: The Prints of Mauricio Lasansky Dachau (1946) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/ceff040c-0396-4088-b38e-cccecb84acab/06-For+an+Eye+an+Eye+IV+%281946-1948%29-Mauricio-Lasansky.jpg The Artist's Hand: The Prints of Mauricio Lasansky For An Eye for an Eye IV (1946) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/677abba6-4e89-4f15-9fcc-5637522edb03/11-My+Boy+%281947%29-Mauricio-Lasansky.jpg The Artist's Hand: The Prints of Mauricio Lasansky My Boy (1947) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/136dcd52-7c58-436c-945c-7fc62ed48f8f/07-Espan%CC%83a+%281956%29-Mauricio-Lasansky.jpg The Artist's Hand: The Prints of Mauricio Lasansky España (1956) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/8fb67fc7-2bc9-492c-a861-d1c47660823b/13-Portrait+of+a+Young+Artist+%281965%29-Mauricio-Lasansky.jpg The Artist's Hand: The Prints of Mauricio Lasansky Portrait of a Young Artist (1965) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/eacafbde-a3b7-4c44-b251-398620bb9d0b/09-Kaddish+%235+%281976%29-Mauricio-Lasansky.jpg The Artist's Hand: The Prints of Mauricio Lasansky - Kaddish #5 (1976) https://www.lasanskyart.com/mauricio-lasansky-and-intaglio-printmaking daily 0.75 2024-06-14 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0e8fa3e7-42db-4b34-9c5b-688a98c565c0/40-Figura+%281938%29-Mauricio-Lasansky.jpg Mauricio Lasansky and Intaglio Printmaking Figura (1938) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/7ff9b944-690e-402c-8040-f43a13408a0d/02-Doma+%281944%29-Mauricio-Lasansky.jpg Mauricio Lasansky and Intaglio Printmaking Doma (1944) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/52b5ed61-af62-4392-af2b-da775ce9dca0/12-Sol+y+Luna+%281945%29-Mauricio-Lasansky.jpg Mauricio Lasansky and Intaglio Printmaking Sol y Luna (1945) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/cf22f10f-186c-46dc-a454-1f6e90751321/01-Time+in+Space+%281946%29-Mauricio-Lasansky.jpg Mauricio Lasansky and Intaglio Printmaking Time in Space (1946) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1d8db8b5-463c-4e66-98e5-e0f06ddc5d76/02-Profile+with+Red+Band+%281970%29-Mauricio-Lasansky.jpg Mauricio Lasansky and Intaglio Printmaking Profile with Red Band (1970) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/677abba6-4e89-4f15-9fcc-5637522edb03/11-My+Boy+%281947%29-Mauricio-Lasansky.jpg Mauricio Lasansky and Intaglio Printmaking Boy (1954) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/26011aa7-c3fc-4af3-92b5-1f04b12f4c84/02-Bodas+de+Sangre+%281951%29-Mauricio-Lasansky.jpg Mauricio Lasansky and Intaglio Printmaking Bodas de Sangre (1951) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0b5a1228-186f-4b35-a0e0-05c598539112/04-Quetzalcoatl+%281972%29-Mauricio-Lasansky.jpg Mauricio Lasansky and Intaglio Printmaking Quetzalcoatl (1972) https://www.lasanskyart.com/mauricio-lasanskys-prints-a-critical-perspective daily 0.75 2024-06-14 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/832b983b-7a81-4f95-abe7-f7f2a6f29a38/37-Changos+y+Burritos+%281937%29-Mauricio-Lasansky.jpg Mauricio Lasansky's Prints: A Critical Perspective Changos y Burritos (1937) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1229eeae-90d6-4b49-a3d4-dc47205c12c4/38-Maternidad+%281937%29-Mauricio-Lasansky.jpg Mauricio Lasansky's Prints: A Critical Perspective Maternidad (1937) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/52b5ed61-af62-4392-af2b-da775ce9dca0/12-Sol+y+Luna+%281945%29-Mauricio-Lasansky.jpg Mauricio Lasansky's Prints: A Critical Perspective Sol y Luna (1945) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/bca94d95-dab3-4cac-9644-d2fbcf8e9aac/07-Spring+%281947%29-Mauricio-Lasansky.jpg Mauricio Lasansky's Prints: A Critical Perspective Spring (1947) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/677abba6-4e89-4f15-9fcc-5637522edb03/11-My+Boy+%281947%29-Mauricio-Lasansky.jpg Mauricio Lasansky's Prints: A Critical Perspective Boy (1954) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3842515b-ad42-4c7f-a0ed-8ce06524394b/03-For+an+Eye+an+Eye+I+%281946-1948%29-Mauricio-Lasansky.jpg Mauricio Lasansky's Prints: A Critical Perspective For an Eye an Eye I (1946) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/29aac278-0e4d-4066-b510-d7e3c825d09e/48-El+Presagio+%281940-41%29-Mauricio-Lasansky.jpg Mauricio Lasansky's Prints: A Critical Perspective El Presagio (1940) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/c4a4d2f6-edbe-4043-bd17-29993e6a30d1/01-Bleeding+Heart+%281970%29-Mauricio-Lasansky.jpg Mauricio Lasansky's Prints: A Critical Perspective Bleeding Heart (1970) https://www.lasanskyart.com/mauricio-lasansky daily 0.75 2024-06-14 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1631e427-fe73-4abe-b21b-ddfe397fbc10/30-Cena+%281937%29+state-Mauricio-Lasansky.jpg Mauricio Lasansky Cena (1937) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/832b983b-7a81-4f95-abe7-f7f2a6f29a38/37-Changos+y+Burritos+%281937%29-Mauricio-Lasansky.jpg Mauricio Lasansky Changos y Burritos (1937) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/29aac278-0e4d-4066-b510-d7e3c825d09e/48-El+Presagio+%281940-41%29-Mauricio-Lasansky.jpg Mauricio Lasansky El Presagio (1940) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/7ff9b944-690e-402c-8040-f43a13408a0d/02-Doma+%281944%29-Mauricio-Lasansky.jpg Mauricio Lasansky Doma (1944) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/5cdc23e5-4e87-4891-b9a2-03a69e6a3366/11-La+Lagrima+%281945%29-Mauricio-Lasansky.jpg Mauricio Lasansky La Lagrima (1945) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/478f9585-bbd6-4067-b690-3b813470c6b7/10-Firebird+%281952-53%29-Mauricio-Lasansky.jpg Mauricio Lasansky Firebird (1951-52) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1d4af34d-7655-4ad0-a07a-6cfa07978ef3/13-My+Daughter+Maria+Jimena+%281959%29-Mauricio-Lasansky.jpg Mauricio Lasansky My Daughter Maria Jimena (1959) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/5289f6ce-b6ec-455f-a12a-11c5a9821a5f/14-My+Wife+and+Thomas+%281959%29-Mauricio-Lasansky.jpg Mauricio Lasansky My Wife and Tomas (1959) https://www.lasanskyart.com/intaglios daily 0.75 2024-06-14 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/136dcd52-7c58-436c-945c-7fc62ed48f8f/07-Espan%CC%83a+%281956%29-Mauricio-Lasansky.jpg Intaglios España (1956) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/cf22f10f-186c-46dc-a454-1f6e90751321/01-Time+in+Space+%281946%29-Mauricio-Lasansky.jpg Intaglios Time in Space (1946) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/b539fca8-8726-416d-8501-90922045baac/36-Changos+%281937%29-Mauricio-Lasansky.jpg Intaglios Changos (1937) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/79e1174d-a3ce-4bdf-85c6-2752c5a986f5/05-Sagittarius+%281955%29-Mauricio-Lasansky.jpg Intaglios Sagittarius (1955) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/2b68d21f-d7a5-4dbe-ba62-ba78569a108d/14-Near+East+%28Pieta%29+%281948%29-Mauricio-Lasansky.jpg Intaglios Pieta (1948) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/ea3c72ee-378a-40ec-974e-e7d13c1d6b6e/10-Nacimiento+en+Cardiel+%281958%29-Mauricio-Lasansky.jpg Intaglios Nacimiento en Cardiel (1958) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/6069a05a-7756-49ce-87aa-f654dd6a7e60/14-Self-Portrait+%281945%29-Mauricio-Lasansky.jpg Intaglios Self-Portrait (1945) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/c58cd54c-df99-4d05-9958-18af0d41208d/04-El+Cid+%281944%29-Mauricio-Lasansky.jpg Intaglios El Cid (1944) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3842515b-ad42-4c7f-a0ed-8ce06524394b/03-For+an+Eye+an+Eye+I+%281946-1948%29-Mauricio-Lasansky.jpg Intaglios https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/7ff9b944-690e-402c-8040-f43a13408a0d/02-Doma+%281944%29-Mauricio-Lasansky.jpg Intaglios Doma (1944) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/52b5ed61-af62-4392-af2b-da775ce9dca0/12-Sol+y+Luna+%281945%29-Mauricio-Lasansky.jpg Intaglios Sol y Luna (1945) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1f007628-7161-48cf-af45-7f40ef25816a/02-Dachau+%281946%29-Mauricio-Lasansky.jpg Intaglios Dachau (1946) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/677abba6-4e89-4f15-9fcc-5637522edb03/11-My+Boy+%281947%29-Mauricio-Lasansky.jpg Intaglios My Boy (1947) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/8e4d3216-c392-4538-86b8-f2a645102a2c/24-The+Artist+and+His+Wife+Emilia+Barragan+%281994%29-Mauricio-Lasansky.jpg Intaglios The Artist and His Wife Emilia Barragan (1994) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0b5a1228-186f-4b35-a0e0-05c598539112/04-Quetzalcoatl+%281972%29-Mauricio-Lasansky.jpg Intaglios Quetzalcoatl (1972) https://www.lasanskyart.com/a-new-direction-in-intaglio daily 0.75 2024-06-14 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/6069a05a-7756-49ce-87aa-f654dd6a7e60/14-Self-Portrait+%281945%29-Mauricio-Lasansky.jpg A New Direction in Intaglio Self-Portrait (1945) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/f58928fd-922a-460b-8b1e-245c219841a4/44-Estudio+para+un+Retrato+%28Lady+with+Flower%29+%281940%29+state-Mauricio-Lasansky.jpg A New Direction in Intaglio Estudio para un Retrato (Lady with Flower) (1940) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/dcacbc09-80f9-40b4-bf30-4716b51a7c7f/50-La+Rosa+y+el+Espejo+%281941%29-Mauricio-Lasansky.jpg A New Direction in Intaglio La Rosa y el Espejo (1941) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/7ff9b944-690e-402c-8040-f43a13408a0d/02-Doma+%281944%29-Mauricio-Lasansky.jpg A New Direction in Intaglio Doma (1944) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/ceff040c-0396-4088-b38e-cccecb84acab/06-For+an+Eye+an+Eye+IV+%281946-1948%29-Mauricio-Lasansky.jpg A New Direction in Intaglio For An Eye An Eye IV (1946-48) https://www.lasanskyart.com/what-teaching-taught-mauricio-lasansky daily 0.75 2024-06-14 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/61a0fff0-4b83-4173-b3bf-8f726ce46bd1/09-Mauricio+with+his+last+group+of+students+at+the+University+of+Iowa+1984-Mauricio-Lasansky.jpg What teaching taught Mauricio Lasansky Mauricio with his last group of students at the University of Iowa, 1984 https://www.lasanskyart.com/an-interview-with-mauricio-lasansky daily 0.75 2024-06-14 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/fb5aafb7-40fd-4211-80ff-68ecde101eb7/10-Lasansky+in+his+Iowa+studio+with+3+large-scale+prints+Self-Portrait+My+Wife+and+Tomas+and+My+Daughter+Maria+Jimena+1959-Mauricio-Lasansky.jpg An Interview with Mauricio Lasansky Lasansky in his Iowa studio with 3 large-scale prints, Self-Portrait, My Wife and Tomas, and My Daughter Maria Jimena, 1959 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/b539fca8-8726-416d-8501-90922045baac/36-Changos+%281937%29-Mauricio-Lasansky.jpg An Interview with Mauricio Lasansky Changos (1937) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/832b983b-7a81-4f95-abe7-f7f2a6f29a38/37-Changos+y+Burritos+%281937%29-Mauricio-Lasansky.jpg An Interview with Mauricio Lasansky https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1229eeae-90d6-4b49-a3d4-dc47205c12c4/38-Maternidad+%281937%29-Mauricio-Lasansky.jpg An Interview with Mauricio Lasansky https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0e8fa3e7-42db-4b34-9c5b-688a98c565c0/40-Figura+%281938%29-Mauricio-Lasansky.jpg An Interview with Mauricio Lasansky Figura (1938) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/dcacbc09-80f9-40b4-bf30-4716b51a7c7f/50-La+Rosa+y+el+Espejo+%281941%29-Mauricio-Lasansky.jpg An Interview with Mauricio Lasansky https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/26f27f6b-6369-4520-bd17-57d764a11e55/03-Caballos+en+Celo+%281944%29-Mauricio-Lasansky.jpg An Interview with Mauricio Lasansky Caballos en Celo (1944) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/48fb4333-ec45-42d2-ab6b-13651c8ced31/11-My+Son+Leonardo+%281959%29-Mauricio-Lasansky.jpg An Interview with Mauricio Lasansky My Son Leonardo (1959) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/26011aa7-c3fc-4af3-92b5-1f04b12f4c84/02-Bodas+de+Sangre+%281951%29-Mauricio-Lasansky.jpg An Interview with Mauricio Lasansky Bodas de Sangre (1951) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/52b5ed61-af62-4392-af2b-da775ce9dca0/12-Sol+y+Luna+%281945%29-Mauricio-Lasansky.jpg An Interview with Mauricio Lasansky Sol Y Luna (1945) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1f007628-7161-48cf-af45-7f40ef25816a/02-Dachau+%281946%29-Mauricio-Lasansky.jpg An Interview with Mauricio Lasansky Dachau (1946) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1717518364545-U1I4MJ5JGGLGK87O1BSW/nazidrawings5.jpg An Interview with Mauricio Lasansky Nazi Drawing #28 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/f2dc5217-b5d1-4750-8994-01a4d6eadda1/13-Kaddish+%234+%281978%29-Mauricio-Lasansky.jpg An Interview with Mauricio Lasansky Kaddish #4 (1978) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0b5a1228-186f-4b35-a0e0-05c598539112/04-Quetzalcoatl+%281972%29-Mauricio-Lasansky.jpg An Interview with Mauricio Lasansky Quetzalcoatl (1972) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/404a60d5-13a6-409b-a6db-f541f0776c54/05-Young+Nahua+Dancer+%281961-73%29-Mauricio-Lasansky.jpg An Interview with Mauricio Lasansky Young Nahua Dancer (1961-73) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3af63e40-1fb0-443b-a65f-18d960475ebe/11-Little+Boy+%281992%29-Mauricio-Lasansky.jpg An Interview with Mauricio Lasansky Little Boy (1992) https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/8e4d3216-c392-4538-86b8-f2a645102a2c/24-The+Artist+and+His+Wife+Emilia+Barragan+%281994%29-Mauricio-Lasansky.jpg An Interview with Mauricio Lasansky The Artist and His Wife Emilia Barragan (1994 https://www.lasanskyart.com/works-in-public-collections daily 0.75 2024-06-14 https://www.lasanskyart.com/process daily 0.75 2024-06-14 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/aad7bbf3-f4e4-473c-8582-d30727684132/12-Mauricio+and+his+wife+Emilia+in+the+Lasansky+Gallery+in+downtown+Iowa+City+with+selections+of+his+new+series+The+Great+Thinkers+1990-Mauricio-Lasansky.jpg The Gallery Process Mauricio and his wife Emilia in the Lasansky Gallery in downtown Iowa City with selections of his new series The Great Thinkers, 1990 https://www.lasanskyart.com/videos daily 0.75 2024-06-14 https://www.lasanskyart.com/the-nazi-drawings daily 0.75 2024-10-04 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/f956cd96-cbf0-4a7b-8527-8e4826dfe230/01-The+Nazi+Drawings+No.1+%281961%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 1 (1961) 23½ × 23¼ in. | 59.7 × 59.1 cm. Graphite, charcoal, brush and asphaltum turpentine wash, on card paper The first four drawings are introductory, forming a gallery of heavy-headed, skull-helmeted busts seen mainly in profile; these figures come to be associated with the executioners of the innocents in later drawings. In the first, the skull helmet suggests the German visored military campaign hat. The neck, shoulders and chest, all encased like a sausage, further suggest an entombment in clothing, a condition of being half-buried in life. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/854a2b5c-7e86-4f02-87fc-a49d76c2ed94/05-The+Nazi+Drawings+No.5+%281961%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 5 (1961) 68½ × 22¼ in. | 174 × 56.5 cm. Graphite, charcoal, brush and asphaltum turpentine and red wash, on card paper, two sheets, with some torn edges The fifth drawing is the most pictorally developed thus far. The full-length figure in profile—a straining bemedalled Nazi in uniform but without pants—is gruesome despite his humiliating, comic stance. His naked leg shows, he is heiling, and he is strangely bonneted, almost as though he were being protected from the sun (the figure's ironically abbreviated uniform suggests the tropics), with a huge bovine skull whose immense teeth are drifting away from the forehead. A bloody earth-tinged color suffuses his swastika armband and the left fist clenched behind his back, while from the rigidly upraised right hand the same thin gore obscenely drips. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/c4b2a0aa-9945-4a0e-b573-b50f6bf548fa/09-The+Nazi+Drawings+No.9+%281961-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 9 (1961-1966) 68 × 24 in. | 172.7 × 61 cm. Graphite, charcoal, brush and asphaltum turpentine and red wash, with touches of red chalk, on card paper, three sheets, with some torn edges In the ninth drawing the moon-faced prostitute reappears, embracing the truncated outline of an army sergeant. Smiling, she wrenches herself around, almost swirling with the weight of the skull-helmeted soldier she is clutching, the rhythmic patterning of heavy penciled swaddling material now plainly repeated in her hair and webbed eye under the skull-helmet bonnet she wears, and again in her long-gloved, supporting left forearm, her waistband, her stockinged legs, her lifting high-heeled shoes. In the commotion her slipped-up bra, shown from the back, and the slight blood-colored dabs raining down from her waistband help to mark off the crucial zones of body truncation. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/459077b9-e070-46a7-b6eb-578a0ca60d2a/12-The+Nazi+Drawings+No.12+%281961-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 12 (1961-1966) 71¼ × 44¾ in. | 181 × 113.7 cm. Graphite, charcoal, brush and asphaltum turpentine and red wash, on card paper In the twelfth drawing a severer pose of the same prostitute, with enormously outspoken breasts and buttocks, is contrasted to the heavy, black, beetle-backed, spider-legged skeleton clutching and furiously biting her flesh, one arm and hand pressing tightly down, half for support, half out of intense passion, the skull-helmeted bonnet jammed over her twisted face, her playfully averted head. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/de3ee096-2c27-4be9-8030-9934f4a78d64/15-The+Nazi+Drawings+No.15+%281961-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 15 (1961-1966) 65 × 45 in. | 165.1 × 114.3 cm. Graphite and charcoal, with erasures, brush and asphaltum turpentine and red wash, on card paper If one can separate dream from nightmare, the next drawing would seem to be, by contrast with the others, the most dreamlike so far. The dancing or hopping little girl in the foreground is the lowest figure in the pyramid of four topped by an overarching, perching skeleton under whose top jaw appears inset, like a cameo, the face of the dark maternal figure, her dress filling most of the drawing. On her right shoulder she supports a bloated infant's corpse with distended belly and fragmented legs stretched stiffly out toward the left. The group is peering into the near distance—who can say with what expression—while behind them are the corner posts of a concentration camp fence. Vague pencilings to the right of the skeleton's head extend the fence out of the frame, where the skeleton's arm is pointing to something going on in an area which we cannot see. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/13f61d5e-6636-4345-b1c4-93c2dc336aba/18-The+Nazi+Drawings+No.18+%281963-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 18 (1963-1966) 75⁵⁄₁₆ × 45¼ in. | 191.3 × 114.9 cm. Graphite and charcoal, with erasures, brush and asphaltum turpentine, red and white wash, torn and pasted newsprint, on card paper In the crudely blood-bedaubed collage of the eighteenth drawing, the cruciform motif takes precedence, leaping to the eye with a force that is hard to account for. Not only is the central maternal figure clearly shown being impaled by the newsprint cross, but there is also an arm, either her own or a disembodied one, visible below her terrible head and pulling the string that is hoisting the pop-eyed figure up on the cross. At the same time, as if unaware of the horror, the infant lies on its mother's belly—asleep or dead, it is hard to tell which. In another refinement of motif, the crossbar is here made into a newspaper collage with a clipping in it about an actual SS killer named Kaduk. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/6c1c4e3c-9864-41f7-be2d-319c3a966119/21-The+Nazi+Drawings+No.21+%281961-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 21 (1961-1966) 70 × 35 in. | 177.8 × 88.9 cm. Graphite and charcoal, with erasures, brush and asphaltum turpentine and red wash, with splatters of red wash and touches of red chalk, on card paper, with torn corners In twenty-one there occurs what might paradoxically be called the apotheosis of the demonic. A cryptic nightmare figure is loosely enveloped in a swatch of human skin, the tattooed concentration camp number still displayed across it. Behind this human remnant the self-engrossed monolithic shape is laboriously attempting to lift the monstrously heavy skull-helmet that has slipped over its features. At the same time, the phylacteries on the figure's forearms indicate the Jew in his ritual morning prayer. The stippled front, the pubic hair, the heavy earth-colored thighs, the tracery of figures and human features superimposed on, or transparently underlying, the main figure, suggest an overlapping of fact and dream, perhaps an aftermath of silence when the horror of what has happened begins to dawn, and there is the first startled attempt to face it. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/3122fade-0e90-4abc-95e8-49f1965f88d5/T-The+Nazi+Drawings+Triptych+%281963-1971%29-Mauricio-Lasansky.jpg The Nazi Drawings Triptych three panels (1963-1971) left panel: 79⅝ × 37⅝ in. | 202.2 × 95.6 cm. center panel: 79⅝ × 44½ in. | 202.2 × 113 cm. right panel: 79⅝ × 37⅝ in. | 202.2 × 95.6 cm. Graphite and charcoal, with erasures, brush and asphaltum turpentine, red and white wash, with splatters of red wash, cut, torn, folded, and pasted newspaper, biblical scripture and paper, on card paper, with some torn edges Collaged excerpts from, left panel: New York Times, May 19, 1963 (articles from Week in Review and business sections, and classified ads); New York Times, August 8, 1965; Cedar Rapids Gazette, May 29, 1967; New York Times, August 13, 1967 (articles from business section); New York Times, August 27, 1967 (articles from Week in Review); and Ezekiel 9, 32, 38; Jeremiah 6; center panel: New York Times, May 19, 1963 (business and sports sections); New York Times, August 13, 1967 (articles from business section, stock exchange trading); right panel: New York Times, May 19, 1963 (articles from sports section) Triptych follows drawing number 29. The images are intended to be viewed as three panels. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/34c39e04-2484-4347-aec2-2bbdc12647ca/02-The+Nazi+Drawings+No.2+%281961%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 2 (1961) 23 × 23½ in. | 58.4 × 59.7 cm. Graphite and charcoal, with erasures, brush and asphaltum turpentine wash, on card paper, with torn edges The same motif is continued in the second drawing, with the skull-helmet raised a bit and the teeth knocked out. There is also the beginning of the typical dark-penciled weblike lines swaddling the face and bemedalling the chest over the tracing of a hand lying inert like a dead spider. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/d20b8bef-b86c-4848-9870-0a201e0e763f/06-The+Nazi+Drawings+No.6+%281961-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 6 (1961-1966) 70⅝ × 22⅞ in. | 179.4 × 58.1 cm. Graphite, charcoal, brush and asphaltum turpentine wash, on card paper, three sheets, with some torn edges In the sixth drawing the trend to greater pictorialization increases. Here, the by-now quite variously and intricately depicted skull-helmet sprouts skeletal limbs. The upper part is like closed wings, emerging from the cocooning ribcage, while the lower limbs are placed jauntily astride the booted and uniformed figure. The figure itself is hardly visible except for the grimly locked three-quarter profile within the pillbox opening, formed by the skull's half-jawed roof under the teeth. Only the skeleton is filled in color. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/56452573-4474-49aa-8450-98b824788abe/10-The+Nazi+Drawings+No.10+%281962-1963%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 10 (1962-1963) 73 × 44½ in. | 185.4 × 113 cm. Graphite and charcoal, with erasures, brush and asphaltum turpentine and red wash, on card paper Having displaced the sergeant, a curiously angled, self-bracing skeleton appears in the next drawing. It has mounted the prostitute from behind and is both biting her face, while resting one arm on her shoulder, and clutching her pubic area with a long extended arm. The complementary light-and-dark areas are also intruded on by the swirling tubular brown turpentine wash. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/1f6966a6-8b58-415b-9bf4-f4a76c033c97/13-The+Nazi+Drawings+No.13+%281961-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 13 (1961-1966) 75⁵⁄₁₆ × 45 in. | 191.3 × 114.3 cm. Graphite and charcoal, with erasures, brush and asphaltum turpentine and red wash, with touches of red chalk, on card paper, with some torn edges It becomes evident at this point that the drawings are intended to be "read" as one would read a cartoon serial. Seen in this way, the thirteenth contains most of the motifs that have thus far appeared in the others; also, there are new motifs. Dominant once more is the prostitute figure of the last six drawings, now pathetically strung up like a side of beef, her naked haunches, back, and thighs displayed, her hands clasped together, perhaps in prayer, somewhere above her completely disheveled hair, seen from the rear like a tumbled nest. Her shift, sadly fallen around her thighs, is being held up idly by a blackened, encased executioner figure to her right. The figure also concentrates in himself the previously introduced motifs of ambiguous perching bird, embracing skeleton, skull-helmet surmounted by an overarching pillbox out of which the skeletal teeth twinkle, the facial features barely discernible. Additional pairs of hands and forearms appear in the lower portion of the drawing, one apparently holding a skeleton head looms up to the left, grinning out at the spectator beneath vague tracings of another female figure strung up to the left of the former one, perhaps suggesting in this way an ad infinitum series of the same kind of victim. A tracery of heads and infant skulls, giving random sense of abandoned, snuffed out lives, seems to glow transparently through the lower portion of the drawing. The pose of the figures here strongly recalls the graphic idiom of Goya's Desastres de la Guerra. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/79f4b53d-3968-4bd9-9660-d95b7ac3d61b/16-The+Nazi+Drawings+No.16+%281963%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 16 (1963) 71⅛ × 43⅛ in. | 180.7 × 109.5 cm. Graphite and charcoal, with erasures, brush and asphaltum turpentine and red wash, on card paper If one were not so familiar by now with the skull-helmet motif, it would seem simply a trick of the eye to discover that the crouching skeleton's head is on the executioner's shoulder inclining toward the dead woman (or child, or prostitute figure)—that is, the skeleton is sharing the same head with the executioner. In the sixteenth drawing the simple chiaroscuro patterning is again a sufficient device to dramatize the severity and grimness of the representation. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/7d80677c-af43-4939-b0c9-605ef73e7f04/19-The+Nazi+Drawings+No.19+%281961-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 19 (1961-1966) 76 × 44⅞ in. | 193 × 114 cm. Graphite and charcoal, with erasures, brush and asphaltum turpentine, red and white wash, on card paper Nineteen is another terrifying and complex drawing which skillfully employs the chiaroscuro effect. A swarming demonic presence fills the upper quarter section of the drawing with skull teeth protruding and arms wrapped over a crossbar holding up an emaciated woman victim, scarcely more visible than the concentration camp number etched on her skin. The dangling woman is being preyed upon by the whirring and perching falcons, more clearly behaving here like vultures than like the curious doves they appear to be in the earlier drawings. The birds have nested in the body of the dead and are pecking at the body organs and sucking out the juices. The tracing of a cruciform background emerges sharply in the light earth color that transparently fills the section diagonally down to the bottom edge of the drawing. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/8a63c88a-d5e1-4aac-8fc9-b39dce825ce3/22-The+Nazi+Drawings+No.22+%281964-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 22 (1964-1966) 72⅞ × 45⅛ in. | 185.1 × 114.6 cm. Graphite and charcoal, with erasures, brush and asphaltum turpentine and red wash, with touches of red chalk, on card paper Beginning with twenty-two, and proceeding through all but the last of the drawings to follow, Lasansky focuses on the irreconcilability between the slaughter of the innocents and the unaiding witness of the established church. The transparencies of superimposed and abutting elements in the composition form one commentary upon the subject. Another commentary is the figure of the facing bishop which dominates the drawing with his haunted—terrified or guilt-ridden—features and the splotch of pencil shading running up into his mitre. Barely visible on his cope are the conventionalized stained-glass figures of Saviour and Virgin, standing for the church, while all over this cloth bloody handprints are scattered. Behind the bishop's cope appears the cross on which the torso and stigmatized limbs of a crucified man, a bulbous-headed infant corpse is awkwardly propped, a fragment of its concentration camp number still dribbling down its chest. The assuaging note of a second stigmatized hand intervenes from the upper left side of the frame, gently supporting the infant's lapsing head from behind. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/97501ba7-e893-40e3-8f38-d517e6e51c7a/24-The+Nazi+Drawings+No.24+%281961-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 24 (1961-1966) 43⅜ × 39¼ in. | 110.2 × 99.7 cm. Graphite with erasures, brush and asphaltum turpentine and red wash, with touches of charcoal, stencil, on card paper A final series of five portraits begins with the twenty-fourth drawing, and those are the counterparts to the solemnly murderous, skull-helmeted, encased killer figures introduced in the first four drawings. Here the victim children are caught in the midst of their terrible grief and final suffering, with swollen heads enlarged against their small, useless, disproportionate hands, as if they themselves had become the personifications of the nightmare they are being subjected to. The tireless repetition of the same tattooed concentration camp number seems to perforate each of these drawings except the twenty-fifth, which bears no number at all, perhaps because it is the embodiment of a wordless scream. Collages, penciled webs, retracted lips over horror-grinning teeth, the skull-helmet slipping down again in twenty-seven, where the child's teeth are not shown—the reiterated motifs come together here in a crescendo of simple, unanswerable deprivation. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0c565f7d-e87c-4540-b250-42486c522279/27-The+Nazi+Drawings+No.27+%281961-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 27 (1961-1966) 43⅞ × 46 in. | 116.5 × 116.8 cm. Graphite and charcoal, with erasures, brush and asphaltum turpentine and red wash, stencil, and cut, torn, and pasted biblical scripture and paper, on card paper Collaged excerpts from Numbers 20-21, 29-30, 33-34; Deuteronomy 2, 5-7, 12-17, 19, 20-22, 33-34; Joshua 2-3, 8-10, 12-14; Judges 1-12, 20 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/0a2dd6f2-8c26-403a-938f-55dd32260da3/03-The+Nazi+Drawings+No.3+%281961%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 3 (1961) 23⅜ × 22½ in. | 59.4 × 57.2 cm. Graphite, charcoal, brush and asphaltum turpentine wash, on card paper The bulging sausage-necked man reappears in the third drawing. Except for the grotesque proportions of the head and neck, the rendering is deliberately sketchy, although new details are beginning to crop up, such as the grimly developed, cadaverous, half-hidden face, the hatchet nose, and the dark penciling around the eye—signs of the killer. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/8f739e0d-603f-4bf6-80cd-bfd9b692a8a2/07-The+Nazi+Drawings+No.7+%281961-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 7 (1961-1966) 76½ × 22⅛ in. | 194.3 × 56.2 cm. Graphite, charcoal, brush and asphaltum turpentine wash, on card paper, three sheets The intricate culmination of earlier motifs becomes powerfully apparent in the next drawing where a semi-nude woman is portrayed full-length in profile: heavy-penciled swaddling lines envelop the skull-helmeted head—like a spring bonnet with teeth for flowers—and the woman's hair becomes a gross entangled nest out of which the sagging face half emerges, patched on the eye. The melon of a naked breast rests on a filmy, crumpled shift that is being held up by hands clasped together on the bare belly, while one hand and forearm are again heavily penciled to depict the webbing of a long glove. This motif is picked up again in the splotch of pubic hair and the boldly irrelevant stockings and high heels. It is apparent that the whole figure is cut off and pasted together in three sections, as if to call attention to the factitious and tawdry nature of what is being exhibited. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/5c6c4598-21f0-44bc-927e-d40976593da5/11-The+Nazi+Drawings+No.11+%281961-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 11 (1961-1966) 73⅞ × 44¾ in. | 187.6 × 113.7 cm. Graphite and charcoal, with erasures, brush and asphaltum turpentine and red wash, with touches of red chalk and green pastel, on card paper, with some torn edges The eleventh drawing reveals the still leering but almost totally darkened prostitute figure wreathed in something like heavy black yarn. She is seated cross-kneed, extended over the bony laps of three merging skeletons, all encased like ghostly sausages. Around their obscured faces are interlacing lines of well-defined teeth and rib bones, rising and falling like arpeggios. There is a complementary motif in the more lightly drawn faggots of fingers and hands that seem to separate one tightly pressing figure from another. An irrelevant forearm hangs down from the top, fingers coyly splayed over a bill of paper money. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/4df57155-8357-470f-8cbc-338c8af0019a/14-The+Nazi+Drawings+No.14+%281962-1963%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 14 (1962-1963) 73 × 43¼ in. | 185.4 × 109.9 cm. Graphite and charcoal, with erasures, brush and asphaltum turpentine, on card paper, with some torn edges In a particularly macabre arrangement of figures, the fourteenth drawing gets its effect from the hard chiaroscuro contrasts noted before with an intensification of the familiar motifs of skull-helmet (here slipped down over the executioner's head until it covers everything but the chin); the squatting, exhausted (or preying) skeleton bending with ballooning head balanced acrobatically between dangling arm bones over the back of the inclining executioner; and, finally the half dead child, whose eyes and head are being miserably cracked between the strong thick hands of the executioner, desperately, irrevocably. Perhaps it is the voluminous density in the drawn figures, their physical grossness, that makes for the horror of this drawing, despite the simplicity of its rendering. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/822d4e1d-13df-47f6-bc89-7e3b1666827e/17-The+Nazi+Drawings+No.17+%281963%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 17 (1963) 74⅞ × 44⅞ in. | 190.2 × 114 cm. Graphite and charcoal, with erasures, brush and asphaltum turpentine and red wash, with splatters of red wash, on card paper, with torn edges Again the hanged or gassed figure appears; it is, in fact, the same dead figure of drawing sixteen. But now the number of victims has proliferated to five, with the grotesque perching skeleton sardonically tinkling the censer bell over them all. The irony of the exact duplication of skull helmets on the skeleton and the dark executioner is further upheld in that both have gas mask hoses dribbling down their chests. Like the heiling, bemedalled figure in drawing five, the posturing executioner is here shown with his pants down (actually, they have been slipped down), a farcical, burlesque comment, again, on the cruel absurdity of the brain-locked murderer. Also coming into prominence here in the seventeenth drawing is the transparency effect of crossbars, earlier discernible as fence posts or as extensions of the shoulders and arms of the crouching skeleton. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/f5b0041c-bf0d-4881-85a0-ce618243b083/20-The+Nazi+Drawings+No.20+%281961-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 20 (1961-1966) 74⅞ × 46⅜ in. | 190.2 × 117.8 cm. Graphite, charcoal, brush and asphaltum turpentine and red wash, tape, stencil, and cut, torn, folded and pasted biblical scripture and paper, on card paper Collaged excerpts from Judges 15; 1 Kings 4-6, 11-12, 14-15, 16-18; 2 Kings 2-3; Psalms 25-27, 30-32, 139-40, 143; Proverbs 25-26; Ecclesiastes 6-8; Isaiah 1-5, 8-9, 12, 16-19, 29; Baruch 4, 6; Acts of the Apostles 17-18 With the twentieth drawing a new kind of motif proliferation occurs—the concentration camp numbers, repeated in drawing after drawing. The collage print through which the naked victim has been thrust is made up of pages out of the Book of Samuel. And the shadows the figure throws, together with the shadows thrown upon it, show a clearly gradated range of variations on the basic chiaroscuro—something like a monochromatic scale—an effect not prominently exploited until this drawing. What emerges so forcefully then is a classic delineation of the dignity of the human body brutalized by man's perversity—somewhat like the gored spectators in a Goya print. This brutalized figure of a woman raped and impaled, in her last agony of stiffened and twisted hands and feet, with the knobby protruding joints of the starved body, becomes a figure not only of the slaughtered innocents and the suffering martyrs of the past, but of the modern everyman, the killer and the victim both, which each of us actually is. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/12be8e57-74e3-4ed3-a6c8-019503c12461/23-The+Nazi+Drawings+No.23+%281964-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 23 (1964-1966) 66⅞ × 45¹¹⁄₁₆ in. | 169.9× 116 cm. Graphite and charcoal, with erasures, brush and asphaltum turpentine, red and white wash, with touches of red chalk, cut and pasted biblical scripture and paper, on card paper, torn at right corners Collaged excerpts from Genesis 44-48; Exodus 1-4,8-10 The aftermath to the slaughter, as in a nightmare, silently magnifies the act, dinning it into the consciousness, and bringing the same figures back. And so in the twenty-third drawing they reappear: the bishop with the horror slowly disappearing from his face and giving way to a guilt-evaporating incredulity, and the infant corpse held shield-like against his chest. The dead infant with a skull-helmet covering its features has clearly become identical with the Christ figure it had been merging with in the previous drawing. The falcons have returned to perch symmetrically, un-menacingly, at four corners on the two crossbars. The bishop's cope is a collage made of pages out of Exodus, the same pages that line his mitre. The common portrayal of sex, death, and religion, so heavily intermingled in the other drawings, appears again here. Our eyes snag on the pubic zone distortion under the child's bloated stomach and on the small nude female figure sketched into the upper crossbar on the right, just beneath the bird. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/8d138301-3915-4b78-9c03-5efb08c811f0/25-The+Nazi+Drawings+No.25+%281961-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 25 (1961-1966) 43 × 429⁄16 in. | 109.2 × 108.1 cm. Graphite with erasures, brush and asphaltum turpentine wash, with touches of charcoal, on card paper https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/abc4b5b9-f859-4c10-86f8-d0d1163b1a05/28-The+Nazi+Drawings+No.28+%281961-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 28 (1961-1966) 82 × 45¾ in. | 208.3 × 116.2 cm. Graphite and charcoal, brush and asphaltum turpentine and red wash, stencil, and cut, torn, and pasted biblical scripture and paper, on card paper, with torn edges Collaged excerpts from 1 Kings 2-4, 10; 2 Kings 8-10, 12-13, 15, 17-18, 19-25; 1 Chronicles 2, 5, 13-14, 19-21, 26-29; 2 Chronicles 1-2, 9-11, 18, 23-26, 32-34; Ezra 2, 5-8; Nehemiah 1, 7, 15; Esther 1-2,5 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/48623b34-add7-484e-ab8d-30b818c3b039/04-The+Nazi+Drawings+No.4+%281961%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 4 (1961) 25¾ × 19¾ in. | 65.4 × 50.2 cm. Graphite, charcoal, brush and asphaltum turpentine wash, on card paper, two sheets In the fourth drawing there is more detail because we have a three-quarter frontal view of the head. Also a new motif appears here: the cut-off drawing paper pasted together just under the collar of the uniformed figure—half-military, half-clerical. Floating free on the left margin is something that looks like the skull of a baby in profile; and, barely visible on the front of the Nazi's uniform, are the tracings of an empaneled religious figure or nude. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/8f8c656c-57be-4dd1-90ae-e029b2c85bc7/08-The+Nazi+Drawings+No.8+%281961-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 8 (1961-1966) 69 × 25½ in. | 175.3 × 64.8 cm. Graphite, charcoal, brush and asphaltum turpentine and red wash, on card paper, three sheets, with some torn edges Elaborated motifs grow more profuse in the next dozen drawings—the central and most highly graphic part of the series. The eighth drawing shows a frontal view of another half-dressed prostitute figure, perhaps the same figure as in the previous one. Out of her bald, moon-shaped head she smiles slightly, half leering, her eyes lost in nimbus of darkly penciled fuzz. With arms and hands raised in the appropriate gesture, she reminds us of a woman trying on a hat. There is a kind of web thrown over her shoulders, merging into the oversized man's jacket she is wearing that half obscures her small rounded breasts. As before the sections of paper are crudely cut off and pasted together at the thorax. In these details, reinforced by the thickly bulging upper thighs mounted on much narrower thighs and well-modeled legs in high heels, we get the impression of a slyly posing hermaphrodite, narcissistically flaunting its professional stock-in-trade. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/b717f74e-c556-437f-a4ec-ae9646e5cd0d/26-The+Nazi+Drawings+No.26+%281961-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 26 (1961-1966) 45¼ × 43⅜ in. | 114.9 × 110.2 cm. Graphite, charcoal, brush and asphaltum turpentine and red wash, with touches of green pastel (where three stenciled "5,602,715" in green have faded), stencil, and cut, torn and pasted biblical scripture, on card paper, with some torn edges Collaged excerpts from Deuteronomy 28-32; Joshua 25; Judges 1;1 Samuel 2-4, 6-9, 14-18, 20-21, 23-24, 27-28, 30-31;2 Samuel 2, 9;1 Chronicles 16-17 https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/f4a323cf-8818-4a3e-a08f-9af2f9cf82b8/29-The+Nazi+Drawings+No.29+%281965-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings No. 29 (1965-1966) 77 × 44⅛ in. | 195.6 × 112.1 cm. Graphite and charcoal, with erasures, brush and asphaltum turpentine and red wash, with splatters of red wash and touches of green pastel, cut and pasted intaglio print (pope's head and miter hat), tape, biblical scripture and paper, on card paper, two sheets, with torn upper corners "It is done, it is finished, but we endure," is what the folded hands and facial expressions in the twenty-ninth drawing seem to be saying. The dark ravaged face of the bishop glares out with an insane defiance, so much at odds with all the composed panels of religious pictures displayed on his shawl—all, that is, except for the one panel where a green money bill glints. The darkness in the bishop's face extends to the cassock of the smug attendant priest grimly wedged into the bishop's left side. The heavy black cassock of the priest momentarily teases the memory until we recall that it is made of the same stuff as the dark webbing of the executioner's gown in the earlier drawings. Then, as if to confirm the association, one notes lying in a pile a frieze of infant corpses on which the clergy are standing. Now the whole composition tingles with a tragic irony which points back to the majestic medieval portraits of saints and church fathers standing on a pediment of lions and wild beasts—the church triumphant! Here the crimson of the priest's sash drips down the children's dead bodies. https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/725ada84-813b-4574-83fc-b1f441881c8c/Mauricio+Lasansky+working+on+The+Nazi+Drawings+in+his+studio+1962+Vinalhaven+Maine https://images.squarespace-cdn.com/content/v1/6643aa6fadfb2927f954ffc6/326241ae-e262-495c-a407-cc594d12059c/30-The+Nazi+Drawings+No.30+%281961-1966%29-Mauricio-Lasansky.jpg The Nazi Drawings