Black Print (1947)

Edition: unique print, trial proof.
23.82 x 17.62 in.
60.3 x 44.8 cm.

Intaglio: engraving, soft ground, aquatint, etching, open-bite areas, burnishing and scraping.
Two plates: two copper plates printed in black ink on black paper; the plates are positioned side by side. One is the master plate of Winter and the other is the master plate of Spring while still in state form.

Note: this print was later refined and printed as Black Print (1978).

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My Boy (1947)

Edition: 35
16.93 x 14.0 in.
43.0 x 35.6 cm.

Intaglio: engraving, etching, aquatint, soft ground, open-bite areas, electric stippler, burnishing, extensive scraping.
Five plates: two copper master plates, three copper color plates. Six states of this print are believed to exist.

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My Wife (1947)

Edition: 35
Color plates:
21.25 x 16.62 in.
58.3 x 42.2 cm.
Master plates:
17.93 x 14.87 in.
45.6 x 37.7 cm.

Intaglio: engraving, etching, aquatint, soft ground, water ground, burnishing and scraping.
Six plates: one copper master plate, five copper color plates. This plate was used for the print My Wife and Thomas (1959).

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Self-Portrait (1948)

Edition: 50
23.93 x 15.82 in.
60.8 x 40.2 cm.

Intaglio: engraving, etching, aquatint, soft ground, open-bite areas, scraping and burnishing.
Three plates: one copper master plate, two zinc color plates.

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Pieta (1948)

Edition: 35
19.25 x 28.0 in.
49.0 x 71.1 cm.

Intaglio: engraving, etching, aquatint, soft ground, lift ground, grease ground, electric stippler, extensive scraping and burnishing.
Nine plates: one copper master plate, eight zinc color plates. Master plate is printed twice in black.

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El Pajaro (1948)

Edition: 50
28.87 x 22.32 in.
73.3 x 56.6 cm.

Intaglio: engraving, etching, aquatint, extensive scraping and burnishing, scorped-out white areas, drypoint, several large open-bite areas, varnish resist.
One plate: one copper plate, printed in black.

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Aitana (1948)

Edition: 35
26.75 x 11.83 in.
67.9 x 30.1 cm.

Intaglio: engraving, etching, soft ground, aquatint, grease ground, electric stippler, drypoint touches.
Five plates: one copper master plate, four zinc color plates.

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Near East (Pieta) (1948)

Edition: 35
19.18 x 23.87 in.
48.1 x 60.7 cm.

Intaglio: engraving, etching, soft ground, aquatint, grease ground, electric stippler, deep open-bite areas, burnishing and scraping.
Seven plates: one copper master plate printed in black, six zinc color plates.

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Self-Portrait (1949)

Edition: 25
13.0 x 9.87 in.
33.1 x 25.1 cm.

Intaglio: engraving, etching, soft ground, scraping and burnishing.
One plate: one copper plate.

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Self-Portrait (In Frame) (1950)

Edition: 50
Color plates:
21.06 x 19.0 in.
53.4 x 48.4 cm.
Master plate:
15.25 x 16.82 in.
38.8 x 42.8 cm.

Intaglio: engraving, etching, aquatint, electric stippler, scraping and burnishing.
Three plates: one copper plate printed twice, first in yellow ochre, second in black; two zinc color plates.

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Bodas de Sangre (1951)

Edition: 50
20.62 x 28.67 in.
51.7 x 73.0 cm.

Intaglio: engraving, etching, gouged-out white areas, aquatint, soft ground, resists, lift ground, electric stippler, grease ground, extensive scraping and burnishing.
Nine plates: one copper master plate, eight zinc color plates. Inspired by Garcia Lorca.

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