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Mauricio Lasansky:  Catalogue of Prints

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Self-Portrait (1945)

Edition: 35 (special edition of 75 in 1973 on color paper)
11.93 x 9.87 in.
30.4 x 25.1 cm.

Intaglio: engraving, signs of scraping, signs of burnishing.
One plate: one brass plate, wide bevel; measurements taken from the exterior of the bevel.

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Cain (1945)

Edition: 25 (first state)
24.87 x 16.0 in.
60.7 x 40.6 cm.

Intaglio: engraving, etching, soft ground, aquatint, gouged-out white areas.
One plate: one copper plate.

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Object II (1945)

Edition: 35
6.93 x 9.0 in.
17.7 x 22.9 cm.

Intaglio: engraving, drypoint, soft ground, aquatint.
One plate: one copper plate.

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Time in Space (1946)

Edition: 35
15.93 x 23.83 in.
45.5 x 60.5 cm.

Intaglio: engraving, etching, aquatint, soft ground, extensive burnishing and scraping, large open-bite areas, electric stippler.
One plate: one copper plate.

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Dachau (1946)

Edition: 35
15.62 x 23.67 in.
39.8 x 60.1 cm.

Intaglio: plate bitten and worked in multi-levels (stopped-out areas with deep opn bite) containing engraving, gouged-out white areas, soft ground, ethcing, aquatint, extensive burnishing and scraping.
One plate: one copper plate.

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For an Eye an Eye I (1946 to 1948)

Edition: 50
26.37 x 21.06 in.
66.8 x 53.6 cm.

Intaglio: etching, soft ground, aquatint, open-bite areas, extensive scraping and burnishing.
One plate: one copper plate.

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For an Eye an Eye II (1946 to 1948)

Edition: 50
26.12 x 21.62 in.
66.8 x 53.6 cm.

Intaglio: etching, soft ground, aquatint, gouged-out white areas, electric stippler, extensive scraping and burnishing.
One plate: one copper plate.

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For an Eye an Eye III (1946 to 1948)

Edition: 50
27.0 x 21.5 in.
68.5 x 54.6 cm.

Intaglio: etching, aquatint, open-bite areas, lift ground, electric stippler, extensive scraping and burnishing.
One plate: one copper plate.

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For an Eye an Eye IV (1946 to 1948)

Edition: 50
26.62 x 21.06 in.
66.8 x 53.6 cm.

Intaglio: etching, engraving, stopped-out open-bite areas, aquatint, electric stippler, extensive scraping and burnishing.
One plate: one copper plate.

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Spring (1947)

Edition: 50
23.75 x 8.75 in.
60.4 x 22.1 cm.

Intaglio: engraving, etching, soft ground, aquatint, large open-bite areas, electric stippler.
Nine plates: one master copper plate printed in black, eight copper color plates.

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Fall (1947)

Edition: 5(?)
23.87 x 8.0 in.
16.6 x 21.0 cm.

Intaglio: engraving, aquatint, open-bite areas.
Two plates: one copper master plate, one copper color plate.

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Winter (1947)

Edition: 5
24.0 x 8.37 in.
61.0 x 21.3 cm.

Intaglio: engraving, etching, soft ground, aquatint, electric stippler, large open-bite areas.
Four plates: one copper master plate, three copper color plates. All plates contain color in the intaglio area except for purple, which is rolled on. Lower right hand corner red area is a cut-out plate which is placed upon the master plate, then printed. This approach is again taken up in Bleeding Heart (1970) and Quetzalcoatl (1972).

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