Tucumán (1937)

Edition: 8
20.75 x 15.87 in.
52.8 x 40.2 cm.

Drypoint.
Plate destroyed: zinc plate. Printed in black on manila-colored paper.

El Molino (1937)

Edition: 10
12.0 x 15.25 in.
30.5 x 38.7 cm.

Zincographia: relief etching on zinc.
Plate destroyed.

Changos (1937)

Edition: 10
15.42 x 19.62 in.
39.2 x 49.9 cm.

Etching: on zinc.
Plate destroyed: printed in black.

Changos y Burritos (1937)

Edition: 15
20.87 x 26.75 in.
53.1 x 67.9 cm.

Etching: may be touches of drypoint.
Plate destroyed: zinc plate.

Maternidad (1937)

Edition: 5
22.25 x 16.92 in.
56.6 x 43.0 cm.

Drypoint.
Plate destroyed: zinc plate. Printed in blueish-black on beige-color paper.

Maternidad (Date unknown)

Edition: 1
Size unknown

Color trial experiment.

Figura (1938)

Edition: 15(?)
14.87 x 11.62 in.
37.7 x 29.6 cm.

Etching: signs of burnishing.
Plate destroyed: zinc plate. This impression was printed with orange ink.

Anunciación (1938)

Edition: 10
Size unknown

Drypoint.
Plate destroyed: zinc plate.

Canción de Cuna (1939)

Edition: 10
14.25 x 20.87 in.
36.7 x 54.8 cm.

Drypoint: burin.
Plate destroyed: copper plate. One side printed twice, first in sienna, second in Prussian blue. Inspired by the cradle song, Los Cinco Burritos by Javier Villafañe; made for William Lasansky. The New York Public Library has the only impression of the last state in the United States. The only other known impression of this print in the United States is a working proof which is in the collection of William Lasasnky.

Estudio para un Retrato (Lady with Flower) (1940)

Edition: 10
18.32 x 12.5 in.
46.5 x 31.7 cm.

Drypoint.
Plate destroyed: zinc plate. Plate printed twice, first in sienna, second in black.

Un Romance Sonámbulo (1940)

Edition: 10
20.67 x 12.18 in.
52.5 x 31.5 cm.

Drypoint.
Plate destroyed: zinc plate. Irregular-shaped plate. Plate printed twice, first in sienna, second in black. Inspired by a poem by Garcia Lorca.